2021-06-152021-06-152021-06-08DIAS, Hugo Oliveira. Descentrando o coreógrafo como gênio da dança: uma análise sobre Henrique Rodovalho e sua atuação junto à Quasar Cia. De Dança (1988-1997). 2021, 27f. Trabaho de Conclusão de Curso (Graduação) – Faculdade de Educação Física e Dança, Universidade Federal de Goiás, Goiânia, 2021.http://repositorio.bc.ufg.br/handle/ri/19581Abstract: The present work aims to expose partial results of investigate research on the first ten years of Quasar Cia. De Dança (1988-1997), carried out with the support of PIBIC / UFG. The study began with the bibliographic research process, seeking materials that narrated the company's history, whether they were academic or printed media such as newspapers and magazines at the time. In this process, we came across several discourses that centered the company's artistic existence on the figure of its choreographer Henrique Rodovalho. In order to perceive other contributions to the company's artistic processes, we sought out other people who composed Quasar in its first ten years, to understand if and how they participated in the creative processes. For that, we carried out oral interviews and the crossing of information between different people and their respective perceptions, as well as, we sought to understand the individual contributions of these artists to the aesthetics of Quasar's works in the analyzed period.porAcesso AbertoQuasarCoreografiaDescentralizaçãoDançaDescentrando o coreógrafo como gênio da dança: uma análise sobre Henrique Rodovalho e sua atuação junto à Quasar Cia. de Dança (1988-1997)Decentralizing the choreographer as a dance genius: an analysis of Henrique Rodovalho and his performance with the Quasar Cia. de Dança (1988-1997)TCC