2020-09-252020-09-252014GUIMARÃES, Leda. Chaves conceituais e históricas na constituição de arte e artista popular no Brasil. Revista Interdisciplinar em Cultura e Sociedade, Porto, v. 1, n. 1, p. 83-104, 2015.2447-6498http://repositorio.bc.ufg.br/handle/ri/19086This text describes the construction of digital prints with students of the on-line course Visual Arts Licensure, at the Visual Arts Faculty of the Federal University of goiás - Brazil. In this context the conceptual proposal of teaching-learning digital engraving configured as half relevant articulation between: computational technologies, contemporary media and the traditional processes of engraving work. The methodological approach was based on Triangular proposal, combined with information and communication technologies, in trials and appropriations of digital media by students, in the process of creation of engraving. The proposal resulted in the holding of an exhibition of engravings produced by students. The aim of the exhibition was to give visibility to the research of creative processes for digital engraving, based on hybridization of various techniques used in the process.porAcesso AbertoArtes visuaisMídias contemporâneasGravura digitalVisual artsDigital pintContemporary mediaArtigo