2022-03-312022-03-312022-03-25SOUZA, Newton de. Corpo, voz, palavra e poder: A negação do negro no Teatro brasileiro. Arte da Cena, Goiânia, v. 7, n. 2, p. 221–248, 2022. Disponível em: https://www.revistas.ufg.br/artce/article/view/70461.2358-6060http://repositorio.bc.ufg.br/handle/ri/20548This article presenting results of applying the description of the discourse proposed by Michel Foucault to the analysis of a work on the History of Brazilian Theater, with attention to the treatment offered to blackness. The statements presented by the author exalt a freed black man, as the first Brazilian actor recognized as such, in the same way that they consider that blacks disappear from the stage after the 19th century. Starting from the same arguments, but thinking Theater beyond dramaturgy, we were able to prove the opposite, especially considering the body as a central element of theatrical making, instead of the written word.porAcesso AbertoTrabalho de atorArqueologia do saberHistória do TeatroDesempenho teatral no BrasilActor's workArcheology of knowledgeTheater HistoryTheatrical performance in BrazilArtigohttps://doi.org/10.5216/ac.v7i2.70461