2020-03-042020-03-042011-12CAMARGO, Robson Corrêa de. Arthur Azevedo: o teatro de revista entre a Vida e a Arte. Revista VIS: revista do programa de pós graduação em Arte, Brasília, DF, v. 10, n. 2, p. 66-72, jul./dez. 2011.e- 2447-2484http://repositorio.bc.ufg.br/handle/ri/18794This study analyzes the play Tribofe by brazilian dramatist Arthur Azevedo (1855-1908), one of the leading reviews of the year written by the author, using the categories of carnivalization. This castegories were presented by Mikhail Bakhtin in his works Rabelais and His World and Problems of Dostoevsky’s Poetics. Bakhtin assumes that Carnival does not enter the realm of art, standing on the border between “art and life”. These drama reviews of the year among many, seek to carnavalize the theatrical life of Rio de Janeiro society, so we find these categories described by Bakhtin in the carnivalization of everyday life on this play: free family contact, the relationship between the characters, the eccentricity, the mesalliance, desecration and the stage of the actions.porAcesso AbertoTeatro de costumesBakhtinExcentricidadeProfanaçãoCommedy of mannersBrazilian dramaArtigo