2022-05-162022-05-162015SILVA, Renata de Lima; FALCÃO, José Luiz Cirqueira. Identidades negras em movimento: entre passagens e encruzilhadas. Repertório, Salvador, n. 24, p. 98-113, 2015.http://repositorio.bc.ufg.br/handle/ri/20772The assertion of Black identity has been in discussion in Brazil with greater consistency since the 1970’s. Although these affirmations referenced by lar ger political and ideological discourses have been im portant for the expansion of rights and the adoption of public policies for the Black population, this article analyzes the issue from its organic relationship with the body, and the manifestations of the African dances of Congada and Hip Hop. We can see that, beyond a sin gular political-ideological discourse that Black identity is claimed in a diversified way via cultures performan ces, either by the mythical exaltation of the African continent in the case of African dance; the mournful singing and devotion to Catholic saints in the case of Congada; and the modern techniques of communica tion desecrated in the Hip Hop movement.porAcesso AbertoIdentidade negraCorpoPerformanceBlack identityBodyPerformanceArtigohttps://doi.org/10.9771/r.v0i0.14833