2022-12-122022-12-122020-11FELICETTI, Marcelo; FERNANDES, Eliane Marquez da Fonseca. Ainda um corpo estranho? Mastro da Bandeira – Brasília, 1972: vozes-silêncio-discurso(s). Revista Rua, Campinas, v. 26, n. 2, p. 429–452, nov. 2020. DOI: https://doi.org/10.20396/rua.v26i2.8662010. Disponível em: https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8662010. Acesso em: 5 dez. 2022.e- 2179-9911http://repositorio.bc.ufg.br/handle/ri/21653Mastro da Bandeira, Brasília, 1972: still "a foreign body" “invader” from the Praça dos Três Poderes? Shhh! Silence! This question-title guides the present [inter]text excavating discursive reflections on "the forms of silence in the movement of the senses" (ORLANDI, 2018) about the work of the centenary carioca architect Sergio Bernardes (1919/2002), especially this emblematic project. An object of intense controversy in the architectural milieu at the time, the Monumento ao Pavilhão Nacional is understood here as a symbolic/discursive element, in a critical operation between the fields of architecture and discourse analysis (AD) of French origin. Thus, we place ourselves: what possible effects of senses – effects in dispersion (FOUCAULT, 2013) – are produced from and around this event (PÊCHEUX, 2006) intertwining, entertaining, building, fragmenting, saying in silence, in implicit, enunciating in the opacity of language possible narratives-archive (FOUCAULT, 2017) on this work-personage?porAcesso AbertoSergio BernardesMastro da BandeiraDiscurso(sSilêncioArquivoFragmento(s)Sergio BernardesMastro da BandeiraDiscourseSilenceArchiveFragment(s)Artigohttps://doi.org/10.20396/rua.v26i2.8662010