2024-03-042024-03-042024-01-19ROCHA, Priscila Tolentino. Entre linhas e vidas: o bordado como linguagem da memória. 2024. 103 f. de Conclusão de Curso (Bacharelado em Design de Moda) - Faculdade de Artes Visuais, Universidade Federal de Goiás, Goiânia, 2024.http://repositorio.bc.ufg.br//handle/ri/24453Handmade embroidery, in addition to being a surface design technique, is, particularly, a form of contemporary personal expression. Over the centuries, embroidery has undergone important historical changes, presented technical evolutions, adapting to the style of each era. The object of study of this work was the handmade embroidery and its relationship with the construction of the feminine, as well as its use as a surface for the creation of narratives of memories and stories. This research aimed to explore how contemporary freestyle embroidery incorporates and reflects personal and collective experiences. The methodology adopted was based on a qualitative approach that directed, in an exploratory manner, the understanding of human experiences, behaviors, emotions and the way in which people interpret and make sense of their lives and how this influences individual creative expression. In this way, the result was an embroidered textile piece that reflects the author's personal experiences, the historical and contemporary context of embroidery, as well as its use in the construction of a decentralized narrative, according to Ursula K. Le Guin’s carrier bag theory of fiction.porAcesso AbertoBordado livreBordado manualArte têxtilFemininoContemporâneoFreestyle embroideryHandmade embroideryTextile artFeminineContemporaryTrabalho de conclusão de curso de graduação (TCCG)