2019-04-242019-04-242015-03SOBREIRA, Rogério; GUERRA, Anselmo. Música & cena. Revista Arte da Cena, Goiânia, v. 1, n. 2, p. 51-66, out./mar. 2015. Disponível em: <https://www.revistas.ufg.br/artce/article/view/34769/18367>.e- 2358-6060http://repositorio.bc.ufg.br/handle/ri/17464Soundtrack is often quoted as a fundamental aspect to synthesize concepts and meta-phors on a scene even in the most different areas of dramatic representation . The study of the relation-ship between them must be understood. This article aims to structure and guide this research object grouping theories and references on the subject, systematizing and developing concepts projections about the relationship between music and dramatic art and also its origins on theatre. Theoretical considerations were based on authors such as Michel Chion, Claudia Gorbman, Ney Carrasco. It is ob-served in this study that the soundtrack, over the years, interacted in a less descriptive way and acted in a more subconscious way, fused to the scene, where the sound is no longer perceived as a being apart.porAcesso AbertoTrilha sonoraMúsicaCenaTeatroCinemaSoundtrackMusicSceneTheatreArtigo10.5216/ac.v1i2.34769