Um estudo sobre luz e fotografia - na expressão da imagem cinematográfica
Carregando...
Data
2019-06
Título da Revista
ISSN da Revista
Título de Volume
Editor
Alexandre Silva Nunes
Resumo
This work tries to ascertain the evolution of
the use of light in the cinematographic art,
having as background some periods of the
history of the cinema where the same one
was synonymous of style of time through
the work of considered originator directors.
The German expressionist cinema and the
noir films will collaborate directly with
examples, allowing the understanding of
possibilities of the relation between light,
photography and expressivity in the
cinematographic environment. Starting
from studies on photography, the study
seeks to understand the semiotics of image
capture through the lens, relating the
lighting aspects common to cinema and
photographic art. On the other hand, to the
artists and technicians of theatrical art, the
theme discussed will contribute to a
perception of the differences of illumination between the cinema and the theater,
relating audiovisual field research with
theorists of the scene arts such as Adolphe
Appia and Edward Gordon Craig . At the
end of the study, a practical production was
analyzed, using elements of
cinematographic lighting and photography
inspired by the above mentioned film
genres, realized as visual narrative and
integral part of the theatrical spectacle
Enquanto Dure (2015), entitled
Surrencontro.
Descrição
Palavras-chave
Iluminação, Cinema, Imagem, Fotografia, Teatro, Lighting, Movie, Image, Photography, Theater
Citação
SILVA, Wesley Martins da; DALLAGO, Saulo Germano Sales. Um estudo sobre luz e fotografia - na expressão da imagem cinematográfica. Revista Arte da Cena, Goiânia, v. 5, n. 1, jan./jun. 2019. Disponível em: https://www.revistas.ufg.br/artce/article/view/55420.