Andança kalunga: relato de experiência de uma catadora/contadora de histórias
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Data
2019-12-30
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Editor
Universidade Federal de Goiás
Resumo
The text is an experience report of a scavenger / storyteller
in the northeast region of Goiás, where is the Kalunga
Historical and Cultural Heritage Site with communities
distributed in three Goiás municipalities: Cavalcante,
Monte Alegre de Goiás and Teresina de Goiás. From the
meeting with Kalunga women from the communities of
Engenho II, Riachão and Vão de Almas, comes the
enchantment for their personal narratives. The Kalunga
walk is the device of the Masters research in Cultural
Performances on the narratives and performances of
Kalunga women, specifically the Riachão Community, in
the municipality of Monte Alegre de Goiás. From the
enchantment to the awareness that these narratives relate
to performance of these women in their communities, the
Master's project in Cultural Performances was structured,
aiming to investigate the art of storytelling from the
experiences of quilombola women, observing in this
process their social strategies in the construction of ways of
life and identity to from your memories. And the goal was
reached through the lived field. Field experience is
understood, analyzed and described from the point of
view of a sensitive experience, permeated by affects and
enchantments, which do not ignore the adversities
experienced by the Kalunga people in their history of
struggle and resistance. Vanusa Nogueira, with the
character Glorinha Fulustreka, goes on telling, picking and
(re) inventing stories as a way to allow herself to hear, see
and understand, from the perspective of performance
studies, the poetics of otherness, expressed in kalunga
culture and identifications. There are several voices
participating in this study. The field experience is analyzed
here from the perspective of the “lived field”, as discussed
by researchers from NUPICC (Collective Scenic Research
and Research Nucleus 22), where being in the field is to
experience it from the point of view of aesthetic
experience, sensitive knowledge and affections, which can
be recognized in enchantment and adversity as a creative
impulse for poetnography (SILVA & LIMA, 2014), which
mean dramaturgies in dance, theater and storytelling,
engaged with the poetics of otherness and knowledge.
popular.
Descrição
Palavras-chave
Mulher kalunga, Performance, Contação de histórias, Campo vivido, Kalunga woman, Performance, Storytelling, Countryside lived
Citação
NEVES, Vanusa Nogueira; SILVA, Renata de Lima. Andança kalunga: relato de experiência de uma catadora/contadora de Histórias. Arte da Cena, Goiânia, v. 5, n. 2, jul./dez. 2019. Disponível em: https://revistas.ufg.br/artce/article/view/57815. Acesso em: 21 set. 2022.