Dissociação entre forma e estrutura harmônica em obras de Claude Debussy e Igor Stravinsky
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Data
2021-12-12
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Universidade de Federal de Goiás
Resumo
: In this paper we present analyses of the Prelude X, Book II,
entitled Canope, by Claude Debussy, and of the Introduction to the first
part from the ballet The Rite of Spring by Igor Stravinsky. Our work focuses
on the harmonic content of these pieces which are interpreted through
traditional methods for analysis of tonal harmony, such as the detailed
by Walter Piston is his book “Harmony”, as well in the light of techniques
for pitch organization common to composers of the aesthetics studied
here, as the ones compiled by Stefan Kostka e Matthew Santa. Our results
show how these works, output of composers from different aesthetics
and generations, share a same characteristic: the dissociation between
harmonic form and structure. In both cases, even though as results of
different procedures for harmonic organization, we found a background
organizational layer inspired by the tonal system that supports the
creation of a harmony without perceptible traces of tonal relations.
Descrição
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Claude Debussy, Igor Stravinsky, Análise harmônica, Prelúdio X, Canope, A Sagração da Primavera, Claude Debussy, The Rite of Spring, Igor Stravinsky, Prelude X, Canope, Harmonic analysis
Citação
MONTEIRO, Adriano Claro. Dissociação entre forma e estrutura harmônica em obras de Claude Debussy e Igor Stravinsky. Música Hodie, Goiânia, v. 21,p. e63737, 2021. Disponível em: https://www.revistas.ufg.br/musica/article/view/63737.