O cânone crítico-poético de Manoel de Barros
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Data
2001
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Resumo
This study aims to examine the critical-poetic literary canon in Manoel
de Barros. The self-reflexivity in Barros’ poetry forms a creative consciousness which
articulates literary creation and critical invention in the poetic space. In Manoel de
Barros’s works, the poems question the crisis of the word and the compositional
process which giving form to intentions presented in the author’s essays allows us to
depict the poet’s aesthetic project. The choice of a universe of ordinary things, the
preference for that which despised by society, the feeling of fragmentation, the search
of an Adamic word, which denotates a lost language – all this are some of the recurrent
motives that are interwoven to the liric voice of Barros’s poetry. Departing from a
reshaping of the poetic canon that can be obtained by mean of a critical approach to
poetry, we will examine the “critical metaphor” – the precarious condition in which
the insertion of poetry in the world as metaphor inaugurates the space of criticism of
the word as well as the criticism of mechanisms used for representation of reality.
Descrição
Palavras-chave
Crítico-poético, Literatura, Cânone, Manoel de Barros
Citação
CAMARGO, Goiandira Ortiz de. O cânone crítico-poético de Manoel de Barros. Organon: revista do instituto de letras da UFRGS, Porto Alegre, v. 15, n. 30-31,p. 277-284, 2001.