Programa de Pós-graduação em Antropologia Social
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Navegando Programa de Pós-graduação em Antropologia Social por Por Orientador "Lima Filho, Manuel Ferreira"
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Item Religião e sofrimento: ressonâncias patrimoniais no discurso religioso em Ouro Preto (MG)(Universidade Federal de Goiás, 2013-09-17) Amorim, Alexandre de Paula; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Laraia, Roque de Barros; Sofiati, Flávio Munhoz; Silva, Joana Aparecida Fernandes daThis dissertation is the result of an ethnographic experience in the city of Ouro Preto, Minas Gerais. The text presented constitutes an intellectual effort that aims to understand and describe ethnographically suffering as a hermeneutic construction, which is caught in the discourse of religious Ouro Preto, as a phenomenon historically inherited and its interface with the historic and cultural heritage of city. Based on the discourse of religious evangelicals and Catholics, the focus of this dissertation is to analyze the relationship that the interviewees establish the historical and cultural heritage, in particular, the historical narratives about the suffering of slaves and how these narratives influence their representations of suffering.Item Os huumari, o obi e o hyri: a circulação dos entes no cosmo Karajá(Universidade Federal de Goiás, 2016-04-15) Andrade, Rafael Santana Gonçalves de; Lima Filho, Manuel Ferreira; http://buscatextual.cnpq.br/buscatextual/busca.do; Lima Filho, Manuel Ferreira; Pechincha, Mônica Thereza Soares; Oliveira, João Pacheco de; Herbetta, Alexandre FerrazThis work started from the analysis of the Karajá collection of the American anthropologist William Lipkind, kept in the Museu Nacional collection (UFRJ – Brazil). The analysis was focused on the shaman‟s things, as the obi, the hitxiwa and the rata(k)ana, which were presented through photographic cards to some Karajá interlocutors in the village of Santa Isabel do Morro (TO). From a brief ethnographic experience, it was possible to reach the ideas presented here. These shaman's things pointed to the specificity of the movement of “being” in the Karajá cosmos, configuring the nonindigenous “world” as one of the possible places in this cosmos where these things circulate. In the system of meanings shared by the karajá, the concept of object, lifeless and inert, is far from the subjectivity and life present in the relationships surrounding things. This Karajá approach leads us to rethink the status of collection items and the way they were and are collected, at the same time that they raise some questions about the need and the significance to store and expose such things in museums.Item Entrelinhas do patrimônio: memórias de gerações na Praça Cívica em Goiânia(Universidade Federal de Goiás, 2019-09-27) Anjos, Robson Vieira dos; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Caballero, Indira Nahomi Viana; Tamaso, Izabela MariaThis paper aims to reflect on the patrimony discourses used in the process of requalification of the Civic Square in Goiânia (Go). To this end, it uses narratives presented by actors who witnessed transformations that the public space has undergone in recent years, especially since 2003 when the Iphan (Institute of National Historical and Artistic Patrimony) approved the Dumping Dossier of the Architectural Collection and Urban Art Deco of Goiânia, consisting of a set of 22 public buildings and monuments, considered one of the most significant in Brazil. The ethnographic narrative occurs mainly through the memories of Mr. Joaquim Santana, and also of his son Márcio Carvalho, who established a kiosk where he worked and lived for over five decades. Among the elements that make up this research is the place (the kiosk), the memories, narratives and the unfolding of the patrimonial policies.Item Com quantos paus se faz uma boneca? – “entalhes” de uma etnografia da boneca de madeira karajá(Universidade Federal de Goiás, 2016-08-15) Araújo , Gustavo de Oliveira; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Pereira , Edmundo Marcelo Mendes; Hirano , Luis Felipe KojimaEl trabajo que presento, bajo el título COM QUANTOS PAUS SE FAZ UMA BONECA? – “ENTALHES” DE UMA ETNOGRAFIA DA BONECA DE MADEIRA KARAJÁ tiene como objetivo hacer un ejercicio etnográfico sobre la elaboración y confección de estos artefactos y su relación con la sociedad no indígena, así como su presencia en colecciones de museos etnográficos. Por lo tanto, he dividido la escritura en cuatro etapas: en la primera trato de hacer una historia del Museo Antropológico de la UFG y su relación con los karajá y su cultura material. En la segunda, a partir de una definición/delimitación teórica y metodológica, demuestro el estado del arte de la cultura material de Karajá, especificamiente em lo que si refiere a las muñecas de madera. En el tercer capítulo hay una escritura más etnográfica, en el que "transcribo" mi experiencia en el campo y documento cómo hacer muñecas de madera. Por último, en el cuarto capítulo, presento las piezas que representan la colección del Museo Antropológico, haciendo un ejercicio de documentación museológica en relación con los objetos artefactos de este estudio.Item Comunidade do Ferreiro (GO): a terra, a luta e o sagrado(Universidade Federal de Goiás, 2015-12-17) Morais, Lucinete Aparecida de; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Collaço, Janine Helfst Leicht; Moura, Marlene Castro Ossami de; Silva, Joana Aparecida FernandesThis thesis presents the issue of land , the struggle and the cultural heritage in the town of Ferreiro(GO) , historic site listed by IPHAN in the city of Goiás and experienced by settlers community - the Settlement Project Serra Dourada . The documentary sources added to the ethnographic method allowed to identify the representations and appropriations of the place through the social organization of production, the festivals , the sacred , politics and community memories. The outline of this work took into consideration the daily practices of the Ferreiro community and the desire to signify them for good collective life around the earth and the sacred .Item “De uns tempos pra cá, tenho orgulho de ter essa cor”: racialidade e enfrentamentos estereotípicos no antes e depois do reconhecimento Kalunga(Universidade Federal de Goiás, 2017-08-18) Moreira, Pedro Nunes Britto; Lima Filho, Manuel Ferreira; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4798638U1; Lima Filho, Manuel Ferreira; Hirano, Luis Felipe Kojima; O’Dwyer, Eliane CantarinoIn this thesis of master I attemp to narrate the field experience in the rural black communities of the northeast of the state of Goiás, bringing interlocutions on raciality, stereotypes and community recognition. The research is based on recent events (since 1980) that made the group be characterized as a quilombo. I understand the process of identification as a series of discursive events that are influencing and creating new ways of operating the local ethnic identity. I see that the recent certification establishes collective articulations that have in one of the most spare elements, the concern of the interlocutors with community images. I highlight the dialogues that are associated with facing a series of stereotypes. Starting from the discontent raised by the inhabitants with whom I could talk, (who even challenged some of the more vulgar images of the quilombo) I deal with the relation between the imagination of alterity and the theme of identity representation. And the interest in the issue became more evident due to the constant local complaints about the history of discrimination based on the dark skin brand. Almost all the conversations have led one to believe that, with the process of recognition, there has also been a re-signification of materials linked to black ancestry: new understandings of the past of oppression, resistances to colonial slavery and the historically discrimination. This is an ethnographic account of the construction of subjects and social history that brings mythical, historical and intercultural elements, linked to self-identification, to present some of the layers of senses of the field experience lived in the ethnic borders of Kalunga communities.Item "O carro de boi é a minha vida": técnicas e expressões culturais entre carapinas e carreiros no interior de Goiás(Universidade Federal de Goiás, 2021-07-26) Oliveira, Túlio Fernando Mendanha de; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Oliveira, Alessandro Roberto de; Menezes, Renata de Castro; Sautchuk, Carlos Emanuel; Lima, Nei Clara deIn this thesis I have analyzed the ways the oxen cart parade and the convoy pilgrimage that have been taking place during the traditional Festa do Divino Pai Eterno (Divino Pai Eterno’s Festival), in Trindade (GO), may be interpreted from the oxen cart perspective, from its historical basis to the varied techniques of its build and to the taming of the convoy oxen, which have permitted me to identify a set of cultural repertoires specific to cosmologies, ontologies and modus vivendi of country districts of Goiás, where rural features are currently associated to urban features by a group of relating hybridity factors. At the first part of the work, I have drawn my attention to the oxen cart parade in Araçu (GO) and to the convoy pilgrimage in honor of Pai Eterno (Eternal Father), which has been held in Trindade (GO) since the midnineteenth century. I have made a description of the parade and the journey I undertook with the convoy in 2019, in which I try to show how such parade articulates habits, traditions and organizational modes, beyond the sacred issue. That has led me to consider oxen carts as a central analysis category. Furthermore, by a historiographical approach, I have tried to show the origins and the widespread use of oxen cart in many historical periods, from its origin to its introduction in Goiás and its large participation in people’s daily life. In the third part, I have focused on my own research analysis, which were carried out with woodworkers specialized in the build of oxen carts, known as carapinas. In that topic, their build techniques have proved to generate a heuristic polysemy of anthropological meanings that I have tried to analyze more profoundly. In the following chapter, I have described the choosing and training (taming) stages of the convoy oxen so as to realize that such moments also articulate techniques and cosmogonies that involve the typical way of living of Goiás country populations. In the last part of this thesis, I have shown how labor represents a didactical and pedagogical power for the carapina and the carreiro (oxen cart craftspeople and oxen cart conductors), how oxen carts currently stir other social categories and even the political agenda. At last, I have displayed how oxen carts and oxen cart conductors may be seen as a living heritage for the concrete cultural traits and even the intangible knowledge that they hold.Item Grafismo Iny: arte e identidade de um povo indígena do Brasil central(Universidade Federal de Goiás, 2023-08-30) Silva, Frederico Elias Barbosa; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Leitão, Rosani Moreira; Alvarez, Gabriel OmarThis dissertation aims to contribute to the study of Iny graphics in Aldeia de Santa Isabel (TO), and its attributions in material culture and the body. Going through a little of its historiography and memory through photos and images in accordance with the identity of the people of the river, I sought to demonstrate the visual records of this art in ethnographies set back in time. This was done with the intention of learning about aesthetics and identity, covering graphics and material culture. I based myself on the written works of the first German expeditions that were in contact with the so-called Karajá on Bananal Island, at the end of the 19th century and the beginning of the 20th century. XX, as well as in collecting and ethnographic records and narratives, written between the 1920s and 1980s, along with more contemporary works. In addition, the research includes two fieldworks. One took place during the month of December 2021, with the aim of demonstrating the diversity of graphics and their applications in the vast world of material culture. The second focused only on body painting, printed with drawings that play a fundamental role in identifying this culture. These lines and colors symbolize the internalization of customs and knowledge, traditional and at the same time contemporary, becoming essential elements for cultural identity.Item Deslocamentos patrimoniais: polifonias, memórias e visualidades em rio de contas (BA)(Universidade Federal de Goiás, 2014-03-31) Silva, Jean Pierre Pierote; Lima Filho, Manuel Ferreira; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4798638U1; Lima Filho, Manuel Ferreira; Eckert, Cornelia; Souza, Maria Luiza Rodrigues; Pechincha, Mônica Thereza SoaresThis dissertation is a study based on representations, practices and current senses of heritage in Rio de Contas (BA). The use of artistic interventions as a way of illustrating the ethnography, as well as the questioning of the place of speech of the researcher in the context of the nearby alterity, are some of the reflections presented in this thesis. I will also describe and interpret the speeches of the speakers of this research, using these tools as a theoretical and methodological strategy to overcome and move itself the speeches referring to the senses of heritage in the city of Rio de Contas. Categories such as Backlands (Sertão), memory, stigma, and social representation will also be analyzed. Thus, the narrative built here also propose to question the experiences lived by my ethnographic encounter, verifying the extent to which the relationship between the landscape, visual and memory representations relate to the heritages representations shared by the social actors participants in the frame of this ethnographic field in context.Item Vida de pedra: materiais e técnicas na Chapada Diamantina - Bahia(Universidade Federal de Goiás, 2019-04-09) Silva, Jean Pierre Pierote; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Oliveira, Alessandro Roberto de; Vieira, Suzane de Alencar; Caballero, Indira Nahomi Viana; Sautchuk, Carlos EmanuelThis thesis is an investigation into the forms of relationship established between the extractors of stone, the stone itself, and Rio de Contas, a historical and officially preserved town located south of the Chapada Diamantina in the northeastern Brazilian state of Bahia. This ethnographical study follows the flows of stone in the quarries, the historical buildings, and contemporary civil construction in Rio de Contas, describing the gestures, the steps of the operative chain of extraction and construction with this material, and the paths of movement and creation which are made with the stone. In a joint exercise with the extractors, a theory is put forward on the particular features of the knowledge produced in the work with the stone. Sociocultural, historical, physical, chemical and cosmic processes are considered as elements of a mixture that produces subjectivities, landscapes, modes of relation, and towns, highlighting dichotomies such as nature / culture, material / immaterial, technique / intuition, as well as notions of text / image, since these two languages were used symmetrically in the production of the ethnographic and sensitive tissue that makes up this thesis. As a living being, stone continuously intermingles with the other materials to which it relates, being treated here not as an inert "object" outside the movement of life, but as a flow which, as it passes through the town, the extractors, and the technical objects, never stops changing and producing events.Item “São as coisas que falam o que querem virar”- Fatinha e a produção artesanal em Olhos D’Água (GO)(Universidade Federal de Goiás, 2018-05-22) Stumpf, Paula Groehs Pfrimer Oliveira; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Almeida, Marcia Bezerra de; Oliveira, Alessandro Roberto deThis dissertation aims through the threads that surround of the handmade objects produced by Fatima Dutra Basto, called Fatinha. She was born and lives in Olhos D'Água, one historically meeting place. Fatinha produces saints and images with corn straw and Banana fiber. There are multiple lines that shrink these objects and Fatinha: Olhos D'Água district, belonging to the municipality of Alexânia-GO, with its history and landscape, Santo Antônio square, the Feira do Troca and local religiosity. We look for these threads, by understanding that object is not isolated in itself, but has stories, from who did it, where it came from, the knowledge and techniques that were developed to the final product. The semi-structured interviews, along with participant observation, helped us to produce the ethnographic elements that will be shared in this dissertation. Thus, among the elements that configure this research, we highlight the place, the craft objects, their technical processes and the narratives of Fatinha, about her history and the objects produced by her. The elements discussed here complement each other and blend together. In this way, we think that in order to understand the craft objects, it is necessary to go through and understand the lines that surround it.Item Entre a heresia e a reprodução: em busca do cinema goiano(Universidade Federal de Goiás, 2013-08-23) Vales , Gustavo Henrique dos Santo; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Collaço, Janine Helfst Leicht; Silveira, Flávio Leonel Abreu da; Braz, CamiloThe aim of this dissertation is to understand the identity dynamics which mark the contemporary movie universe of Goias. The ethnography‟s use as a method allows me to focus the attention on the everyday social processes that shift the constituents of that social space today. Thus I seek to understand the meanings that guide the symbolic struggle waged by social actors who, throughout practices, discourses and strategies, end up adding identity characters to the Goias cinematographic field. To this end, I reflect on how the actors in this field act to (re)construct and legitimize representations that elect such characters. I consider the inherent nuances to the local and broader contexts, from the idea that identity is fundamentally dynamic and relational.Item O latenira Iny: pássaros e plumária no rio Araguaia(Universidade Federal de Goiás, 2023-08-25) Yabagata, Lucas Veloso; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Valente, Renata Curcio; Oliveira, Arthur Bispo Ângelo de; Silva, Joana Aparecida FernandesThe work is dedicated to outlining reflections on the relationships established between the Iny, a people who have inhabited the banks of the Araguaia River since time immemorial, and their materialities, especially feather ornaments. The pillar of reflection is the latenira, a feathered helmet that encapsulates a “multicollectivity” of Iny knowledge. By monitoring the making of this artifact and ethnographic records of its use in ritual contexts, it was possible to penetrate part of this “multicollectivity” of knowledge: “craftsmanship” and the artisans’ technical processes; the relationship between the Iny and the birdlife of the Araguaia River; the meaning of feathers in ancient stories from mythical time; and, finally, the process of constructing male identity through headdresses and the interaction between the different Iny cosmological levels.