Navegando por Assunto "samba"
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Item O estilo composicional de Marco Pereira presente na obra Samba Urbano . Uma abordagem a partir de suas principais influências: a música popular brasileira, o jazz e a música erudita(Universidade Federal de Goiás, 2012-03-30) LEMOS, Julio Cesar Moreira; AGUIAR, Werner; http://lattes.cnpq.br/6899356660881342This paper regards Contemporary Brazilian Popular Music and it aims to present the compositional style of Marco Pereira based on a case study of its work Samba Urbano , composed for solo guitar, in 1980. Marco Pereira presents elements of jazz, classical music, and Brazilian popular music, as well as idiomatic features of guitar, as his main references. The use of Parallelism , influenced by Villa-Lobos and Leo Brouwer, is found in Samba Urbano . As far as the rhythmic and harmonic aspects, it is possible to find the influence of Garoto, Radamés, Gnattali and Baden Powell. It can be seen in Samba Urbano aspects of jazz, such as the improvisation character, the use of modal harmonies and the changing of scales. Lastly, the influence of French impressionist music, by Debussy and Ravel, such as the use of harmonies over whole tones scales and chords of fourth.Item BEZERRA DA SILVA E O CENÁRIO MUSICAL DE SUA ÉPOCA: ENTRE AS TRADIÇÕES DO SAMBA E A INDÚSTRIA CULTURAL (1970 2005)(Universidade Federal de Goiás, 2009-09-18) SOUSA, Rainer Gonçalves; BERBERT JUNIOR, Carlos Oiti; http://lattes.cnpq.br/8528822272178341This work aims to establish a reading about the pathway of Bezerra da Silva from the artistic legacy that he left. Thereby, we promoted one revisit to the themes and questions inserted on the history of samba and we thought about the sambista s importance in the context of his time from the dialogue with his work. To rethink about the values of his production and the esteem of his contributions to the brazilian music, we appeal to the concepts of tradition and cultural industry, understood here as rich elements for us to explore the contrasts and the complexity of his artistic production.