A imaginação melodramática e o cinema de Pedro Almodovar
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Data
2013-11-28
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Universidade Federal de Goiás
Resumo
This paper proposes the questioning and appropriation of the concept of imagination
melodramatic , coined by Peter Brooks (1995 ) , in cinema. We apply the method of film
analysis in the film Women on the Verge of a Nervous Breakdown (1988 ) by filmmaker Pedro
Almodovar . We chose to dedicate ourselves to the analysis of a film that departs in some
respects from the classical structure of cinema, just to understand, with more depth , strength
and inexhaustible vitality of the melodramatic imagination . In this process , it is necessary to
recover the historical birth of melodrama and its recurrence in the theater so we can
understand more clearly the breadth and scope of the concept . Question the concept of
melodrama as a genre and work with the hypothesis of a melodramatic imagination before
being impregnated in various theatrical and film productions , is built mainly by the look that
the public launches on the work . The melodrama , or rather this imagination , thus , would be
a lens through which the modern individual would structure and accelerated relatively solidly
values appease him, at least superficially .
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OLIVEIRA, Caroline Anielle Souza Batista Pires de. A imaginação melodramática e o cinema de Pedro Almodovar. 2013. 141 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2013.