A fotomontagem no Brasil: um estudo das obras de Athos Bulcão (1952-1956)
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2014-08-04
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Universidade Federal de Goiás
Resumo
Known for integrate the art of his tiles to Brasília’s architecture, the plastic artist
Athos Bulcão (1918-2008) developed during the first half of the 1950’s decade a
series of photomontage. Before presenting surrealistic or classic aspects, each image
expresses a narrative in motion that shows the influence of cinema and its montage.
Analogous to the moment of photomontages of Jorge de Lima and Alberto da Veiga
Guignard, Athos meets modernism more open to photography and experimentation.
The present work seeks to understand the production’s context of these images, as
well as understand the relation between the photomontages with other Athos Bulcão’s
works. For purposes of analysis, the object of the research is limited to the collection
of the artist's photomontages based in the Museu de Arte Moderna do Rio de Janeiro.
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SILVA, Maria Cláudia Reis. A fotomontagem no Brasil: um estudo das obras de Athos Bulcão (1952-1956). 2014. 155 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014.