Fotografia: conversa com imagens, entre a luz as trevas
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Data
2014-06-30
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Universidade Federal de Goiás
Resumo
The research entitled Photography: conversation with pictures, between light and
darkness, aims to answer the question : What are the ways of seeing and how are
they given? Thus, the proposal is to discuss what is the seeing and what are the
ways of seeing, especially regarding images, and propose new possibilities to
perceive and relate to the images. The look of blind photographers artists Teco
Barbero, Pete Eckert and Evgen Bavcar is the starting point for articulating concepts,
notes, contextualizing and question the oculocentrista beliefs that the world thinks
the imagery as belonging only to the visionaries. The theoretical foundation is rooted
in the study of the visual culture to think that corroborate the view, photography and
reflection of visually impaired people enabled by the field, and discuss issues such
as image, its production and some possible ways of seeing and relating to the
images. The photograph is placed on debate to advance the reflection on the ways
of seeing, perceiving, thinking and create the view beyond. And think the description
and language as articulators for the visually impaired relationship with photography
and images in general way. When entering the world of language, translation
emerges as a possibility to reflect on ways of building the images for the visually
impaired. The structure of the thinking process of the seeing, perceive and relate to
the imaging, is woven from the poetics of 'see', ' review ' and ' transverse ' metaphor
proposed by Manoel de Barros. Also relies, in the possibilities of translation, Flusser,
entering the field of visual culture studies. The field research, observation and data
collection was performed with a group of visually impaired and bachelors in travel
photography Visual Literacy extension, Senac - SP, where students learn how to
shoot and handle the camera, doing exercises to increase awareness, perception
and imaging, as well as discussion and reflection on the photographic and image
production. Research indicates, among other issues, that the seeing is not
something unique of the eye and that it is built from the experiences, experiments,
and especially the perceptions coming from the senses. The view is a construction
that relies on vision, and is completed in sensations, memories and imagination.
Seeking to expand the discussion on the ways of seeing, are listed the reports,
processes and photographic works of Lelo Araújo, Ana Domingues and grandson
Josiah. Analysis and interpretations that cover the production of these blind
photographers are not woven, since the purpose of the research is to reflect upon
the possibilities of seeing in its wealth of forms and manifestations, thus increasing
the knowledge about the image.
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SOLDERA, Dânia. Fotografia: conversa com imagens, entre a luz as trevas. 2014. 138 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014.