As paredes do indizível: em torno de “fluxo”, de Hilda Hilst
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2018-03-08
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Universidade Federal de Goiás
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This work aims at analyzing the text “Fluxo”, from the book Fluxo-Floema (1970), by the Brazilian
writer Hilda Hilst, considering the sociopolitical context in which the work was written and
published in the country and the barbarities burden in the twentieth century and also having the
testimony as a theoretical and methodological subside. For this reading, we firstly established a
brief conceptualization about testimony. Then, we traced Hilda Hilst´s literary trajectory pointing
at literary fortune and critical reception of her works and highlighting characteristics such as the
rereading of the lyrical tradition in her poetry, her theater connected to the necessity of
communication with the other and her production known as erotic/pornographic as a literary and
political transgression. Afterwards, we propose an analysis of the five texts that compose the book
Fluxo-Floema outstanding main points such as the determined necessity of saying, the violence
and the clash between the writer and the editorial market. At last, we opted to a literary analysis
more focused on the lyric narrative “Fluxo”, observing the fragmentation, the fusion of genres, the
dialogical-dramatic character, the systemic oppression, the metalanguage, the paradox, the rhythm,
the silence and the silencing among other testimonial marks. In this analysis, the unspeakable is
investigated as from the key of trauma, considering the importance of the necessity of saying in its
tension with the impossibility of expression, which is linked to the desire of communication with
the other. As a conclusion, we identity a language that survived to the catastrophes, therefore a
witness-language, which says, in its poetical images marks, the unspeakable.
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SANTOS, D. S. As paredes do indizível: em torno de “fluxo”, de Hilda Hilst. 2018. 157 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2018.