A dialética da dança
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Data
2018-07-06
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Universidade Federal de Goiás
Resumo
The present thesis has as study of object the dance. What motivates this research is the following
research problem: what are the mediations that are becoming more determinant in the process of
dance production in the historical particularity of the capitalist mode of production? For this
investigative challenge, the theoretical framework is based on Karl Marx (2010, 2013), Karl Marx
and Friedrich Engels (2007), Georg Lukács (1966, 2012, 2013) and Theodor Adorno and Max
Horkheimer (1985). In the specific field of dance, the main interlocutions occurred with Roger
Garaudy (1980) and Maribel Portinari (1989). The option for the method of analysis to grasp the
essence of the reality of dance in the capitalist system was dialectical historical materialism, the
philosophical basis of Marxism. Through the lens of dialectical historical materialism, material
reality concerns the processes of production and reproduction of human life. However, both the
way and means used in the production of life are historically determined by equally particular social
and economic conditions. In this research movement, both the ontological aspects of dance as well
as their development in the pre-capitalist economic formations were approached. However, the
particularity of the capitalist system became the mode of production that this research inserted more
effort. The central thesis that this research postulates is summarized in the affirmation that dance
is human work and therefore it is a human objectification that develops and manifests itself under
certain social conditions, and that, in the historical particularity of the capitalist mode of production,
dance has been developing as a commodity, where the phenomena of alienation, fetishism,
reification and the culture industry constitute the most determinant mediations in its production.
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Palavras-chave
Trabalho humano , Dança , Alienação , Fetichismo , Reificação , Indústria cultural , Human work , Dancing , Alienation , Fetishism , Reification , Cultural industry
Citação
ÁVILA, Regiane. A dialética da dança. 2018. 151 f. Tese (Doutorado em Educação) - Universidade Federal de Goiás, Goiânia, 2018.