Crítica e realização: Aspectos machadianos
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Data
2011-02-28
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Universidade Federal de Goiás
Resumo
The work of Machado de Assis informs critical questions about the fundamentals of
literary discourse, philosophical, sociological and historical context in which it is surrounded by the
links between artistic expression and social reality that shaped a world view
particular gap in the ratings generalizing, but powered by
tradition and a creative attempt to exceed the expectations of literary second
mid-nineteenth century Brazil. Inserts accustomed to the theoretical debate about the format
knowledge that can be attributed to situations reinforced by Machado de Assis
provide a motivation for the sociology of literature. This work is conducted through
exposure voltage subtle and powerful integrated male in the relationship between criticism and
achievement. The identification and dialogue between events, literature and destinations closed
the debate about the notion of representation of reality given by some of the ways
modern social thought stand out in Brazil and the interest shown here. The
way of understanding and representation of reality that is structured in the areas of symbolic
dissatisfaction and also finds support in relation to the emerging social
artistic expression, making it a guide for the present work. In this sense,
investigate how the narrative is concerned and engaged in a game of internal tensions and
external to it, the responsibility to produce a real sense of reality and
presentations also confuses the real that has been an inevitable question of
interpretations of social life. We take the exhibition and interpretation of these issues
as an object of considerations about the conception of man, knowledge and
artistic competence articulated in thought and Machado de Assis,
aspects thought to be forming a kind of knowledge about the
social world.
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NORONHA, Marcelo Brice Assis. Critiism and realization: machadian aspects. 2011. 98 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de Goiás, Goiânia, 2011.