O piano nos trios de Estércio Marquez Cunha
Data
2013-05-23
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Universidade Federal de Goiás
Resumo
This research presents a discussion of Estércio Marquez Cunha's trios with piano from the
perspective of a pianist. From the theoretical foundations presented by Chiantore (2004) and
Richerme (1996) on piano technique, Baron (1998) and Radice (2012) for chamber music,
Schoenberg (2004) and Correa (2006) for structural and harmonic analysis, and Garcia and
Barrenechea (2003) describing the work for solo piano of Estércio M. Cunha, this article
contextualizes the works and points out the challenges and technical/interpretative
suggestions to the pianist who wants to perform them. Twelve trios were found in the
collection of Estércio M. Cunha composed between 1969 and 2012, and a
brief harmonic/structural description of the pieces and challenges for the pianist. Of the
twelve, five were prepared by this researcher. The performance provided opportunities for
experiences that support the technical/interpretative suggestions. 60% of the works were
composed after 2000 and they present striking stylistic features of the composer - slow
tempos, rhythmic complexity, timbre as a structural element and quartal harmonies - and
challenges for the chamber pianist that require an interpretive maturity, exploration of
sonorities and reading score that lacks tonal music patterns.
Descrição
Citação
VIEIRA, Adriana Lemes Dias. O piano nos trios de Estércio Marquez Cunha. 2013. 132 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2013.