Performances em Hamlet: textualidades, teatralidades e liminaridades
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2015-12-03
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Universidade Federal de Goiás
Resumo
This dissertation is the result of a diverse literature and aims to analyze multiple aspects
in the tragedy Hamlet, Prince of Denmark (1600-1601), the Englishman William
Shakespeare (1564-1616), as a performative text. To do so, it establishes relationships
between this tragedy and some issues discussed on performance studies, specifically
theatricality, liminality and textuality. Hamlet’s story is first related to the concept of
theatricality as state from the Russian playwright and theater director Nicolas Evreinov
(1879-1953), as well as establishes dialogues with the notion of liminality discussed by
folklorist and ethnographer Arnold van Gennep German (1873-1957), also with ideas of
the Russian thinker Mikhail Bakhtin (1895-1975) about the performance of language,
among other notions about performing and human performance practices. Hamlet, the
text, appears on the threshold between completeness and movement, between textuality
and theatricality, between readings and cultures. It is described and further analyzed
Hamlet assembly in Moscow Art Theatre (MAT), one of the famous readings and
rewrites the Shakespearean tragedy. A scenic production, which features dialogues and
confrontations between text and scene, between Aesthetics, between readings of the
tragedy, which express themselves through the collisions between the directors of this
performances, the actors and the spectators. Finally comes to aspects of reception of
Hamlet.
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BARROS, Edlúcia Robélia Oliveira de. Performances em Hamlet: textualidades, teatralidades e liminaridades. 2015.123 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.