Abordagens técnico-interpretativas sobre a velocidade ao piano: um estudo de caso de obras selecionadas do classicismo e impressionismo
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2019-09-30
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Universidade Federal de Goiás
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This research consists of a study on piano velocity, presenting approaches of various artists and theorists of the area. It aims to investigate interpretative technical strategies that make it possible to perform high-speed passages on the piano, within the classical and impressionist styles. For this, firstly, through a bibliographic and documentary research, we based the approach of the speed by the modes of technical interpretation, the physical approach of movements and the preparation of the repertoire in each of the two styles. A representative piece from each of the aforementioned styles was selected as an experimental part of the research: Duport KV 573 Theme and Variations on a Mozart Minute and Debussy's Estampes. We then discuss stylistic features within the historical context in which they are inserted. We conclude with a self-report of the preparation of the pieces discussing about different strategies for the speed range. The investigation of the object led us to conclude that the range of the velocity in the piano is related to a series of factors, the main ones being: the interpretative view, the stylistic knowledge, the maturation of the motor, the approach of the piece during the preparation period, the mastery of musical language and the previous background of the pianist.
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MEDEIROS, Hugo Martins. Abordagens técnico-interpretativas sobre a velocidade ao piano: um estudo de caso de obras selecionadas do classicismo e impressionismo. 2019. 77 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2019.