A performatividade das quadrilhas juninas: reminiscências da tradição e a espetacularização da dança
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2020-06-24
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Universidade Federal de Goiás
Resumo
This research discusses about quadrilhas juninas/folk june dances, in the concept of
performativity, characterized by the Ação Junina in dance on stage from the introduction
of the stereotyped figure of the matuto, to the quadrilhas juninas for competition full of
new meanings; known as modern or stylized. The analysis dedicated to this work focused
on the quadrilheiros experiences as well as on the different appropriations of the notion of
Fazer Junino by the groups of quadrilhas juninas, in order to analyze their performance
elaborations under the support of the theory of cultural performances. It is important to
note that the terms performance characteristics and performativities, are understood in
this study, as elements that constitutes the performances of Cultura Junina. In this
context, this research presents the multiple factors tha compound the quadrilhas juninas
modernas, among them the process of spectacularization of dance and the festivals,
including their continuous processes of updating and reframing. In this work, I consider
qudrilhas juninas as a product of the cultural industry that presents diversity in the
elaboration of cultural goods in their performances, which, in a certain way, are aligned
with the social contradictions of their localities. Simultaneously, the quadrilhas juninas as
a social group transcends the festive and cultural dimensions, reaching professional ties
and organizational actions that seek technical improvement, which stimulates the
competitive attitude and encourages a spectacular perspective. The práticas juninas tell
their stories, as they demonstrate their balances and imbalances in Fazer Junino,
established by innovation, by the phenomenon of spectacularization and by the
ideological clashes over culture in the face of media appeals attributed to the cultural
market.
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ZARATIM, S. R. A performatividade das quadrilhas juninas: reminiscências da tradição e a espetacularização da dança. 2020. 279 f. Tese (Doutorado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2020.