2019-01-072017-06-30BULHÕES, G. C. Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais. 2017. 192 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/9197Amidst its multiple tensions and meanings, museums are considered institutions in which our memories are kept and communicated so that we don’t lose sight of them. However, some of the museums, with a conscious intention or not, doing just the opposite: they silence the memories of certain subjects and social groups systematically and deliberately. Hence, they turn into Cultural Performances for the oblivion. Based, mainly, on studies of Cultural Performances, Social and Affective Museologies, Social Cartography, Queer Studies and on post-structuralist authors, in this dissertation, considerations will be made about this fact, which I consider to be a museum controversy, starting, mainly, from passages of greek and yoruba mythologies, concepts of Museum Pact, Social Drama, Mask, Façade, Scenario, Museum Selectivity, Museums/Museums Performances Arboreal and Rhizomatic, Affection, Rhizome and Art Brut.application/pdfAcesso AbertoPerformances culturaisMuseologia social e afetivaAfetoRizomaCultural performancesMuseology social and affectiveAffectionRhizomeCIENCIAS SOCIAIS APLICADAS::MUSEOLOGIADissertação