2021-02-102021-02-102019-09-30OLIVEIRA, R. C. O timbre e a relação música-texto na construção da performance nos 4 poemas de Manuel Bandeira para canto e piano, de Almeida Prado (1943-2010). 2019. 112 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/11094The present work is a proposal of the interpretation for the cycle 4 Poems by Manuel Bandeira, for voice and piano, by the Brazilian composer Almeida Prado. The timbre and the music-text relationship are the main conductors in the construction of the performance. The collaborative analysis between the interpretative experimentation understanding of the musical text (score), poems, the language of the composer Almeida Prado and the poet Manuel Bandeira, brings resources for reflections on the importance that the timbre assumes in the 20th and 21st centuries, especially, in the interpretation of the contemporary Brazilian art song.Attribution-NonCommercial-NoDerivatives 4.0 InternationalTimbreRelação música-textoAlmeida Prado e Manuel BandeiraPerformanceContemporaneidadeMusic-text relationshipAlmeida Prado and Manuel BandeiraContemporaneityLINGUISTICA, LETRAS E ARTES::ARTES::MUSICA::CANTOO timbre e a relação música-texto na construção da performance nos 4 poemas de Manuel Bandeira para canto e piano, de Almeida Prado (1943-2010)The timbre and the relation music-text in the construction of the performance in the 4 poems by Manuel Bandeira for singing and piano, by Almeida Prado (1943-2010)Dissertação