2015-03-052011-03-28RIBEIRO, R. T. Um estudo sobre opções interpretativas para elementos folclóricos na performance pianística atual. 2011. 46 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2011.http://repositorio.bc.ufg.br/tede/handle/tede/4244The current work addresses the pianistic adaptations of the folkloric elements used in “Brasiliana nº3” for the piano by composer Osvaldo Lacerda. Through the theoretical reference used, firstly approaching the pianistic technique by the prism of authors Keith Swanvick, Claudio Richerme and Jose Alberto Kaplan, and secondly the study on “musical gestures” by Robert. S. Hatten and Bernadete Zagonel, we propose sonorously adequacy suitable for the piano, of the folkloric elements contained in the respective primary instrumentations of the dances Cururú and Quadrilha. The discussion about performance possibilities presented in this study aims to contribute with a new approach and analytical perspective of the nacionalistic works for piano. In addition, it offers contributions for the universe of piano’s students and interpreters as well. Among the conclusions after the comparative analysis of the works, both in an “authentic” folkloric version and on the written author’s version, there is the relevance of the understanding of the technical aspects allied to the human physiology, and the importance of musical gestures in the moment of the performance as well.image/jpegapplication/pdfAcesso AbertoOsvaldo LacerdaBrasiliana nº 3Danças folclóricas brasileirasTécnica pianísticaFolkloric Brazilian dancesPiano techniqueARTES::MUSICADissertação