2023-03-022023-03-022017-09SANTANA, Jorge Alves; REIMER, Ivoni Richter. Mobilidades transversais de Maria de Magdala em O Evangelho Segundo Jesus Cristo, de José Saramago, Fragmentos de Cultura, Goiânia, v. 27, n. 3, p. 345-360, jul./set. 2017. DOI: 10.18224/frag.v27i3.5990. https://seer.pucgoias.edu.br/index.php/fragmentos/article/view/5990. Acesso em: 22 fev. 2023.e- 1414-9494http://repositorio.bc.ufg.br/handle/ri/22014What you teach me, it is not prison, it is freedom” (SARAMAGO, 2010, p.163) is one of several reflections that Jesus, lyrically recreated by José Saramago, does to Maria de Magdala in his novel O Evangelho Segundo Jesus Cristo (2010). The actional context corresponds to the love relationship that begins between the couple and that will be extended throughout the narrative. We will reflect in this study on aspects of the construction of this singular, and at the same time collectivized female figure, constructed dialogically and critically in relation to the canonical texts. We will follow the political-cultural strategies that Saramago uses for the production of molecular powers of the extended feminine, as well as the mechanisms of production of nomadic and frontier subjectivities in this literary field that has pragmatic links with cultural devices of varied religious spectrums.porAcesso Abertohttp://creativecommons.org/licenses/by-nc-nd/4.0/José SaramagoMaria de Magdala“O evangelho segundo Jesus Cristo”Produção de subjetividadeThe “Gospel according to Jesus Christ”Mary of MagdalaProductivity of subjectivityArtigohttps://doi.org/10.18224/frag.v27i3.5990