2017-11-212017-11-212015-04CHAVES, Juliana de Castro. O entrelaçamento entre arte, cinema e subjetividade: possibilidades, impasses e desafios na teoria crítica. Impulso: revista de Ciências Sociais e Humanas, Piracicaba, v. 25, p. 107-107-119, jan./abr. 2015.e- 2236-97670103-7676http://repositorio.bc.ufg.br/handle/ri/12927This work aims to discuss some elaborations raised by a research entitled “Work, Art, and Autonomy”, coordinated by me, and connected to the Center for Studies and Research in Psychology, Education, and Culture (Neppec), from the College of Education of the Federal University of Goiás (UFG). We ask whether there is a possibility of the film being a cultural prod- uct not adapted to the reproduction of the capitalist society; if the film can be formed by art elements, i.e., if it can be a cultural product that forms subjects to nonconformity. This article estab- lishes dialogues with Theodor Adorno and Herbert Marcuse, with issues arising from the research process and from conversations with authors, educators, and filmmakers, which resulted in chal- lenges to be facedporAcesso AbertoArteTeoria críticaCinemaArtCinemaCritical theoryArtigo10.15600/2236-9767/impulso.v25n62p107-119