2026-01-142026-01-142025-11-25MONTEFUSCO, Nícolas Alves. Carnação: a materialidade da pintura e a corporificação de afetos. 2025. 92 f. Trabalho de Conclusão de Curso (Bacharelado em Artes Visuais) - Faculdade de Artes Visuais, Universidade Federal de Goiás, Goiânia, 2025.https://repositorio.bc.ufg.br//handle/ri/29422This artistic research investigates how the body and flesh become central axes in my artistic process, especially in the paintings produced between 2024 and 2025. From an autobiographical perspective, I articulate personal experiences, affections, and memories as driving forces of creation, relating them to the materiality of paint, gesture, and support. To this end, I contextualize my development as an artist, from childhood drawings and tattooing to performance experiments, to understand how each stage influenced the imagistic construction of the body. References such as Didi-Huberman, Gail Weiss, Caravaggio, Goya, Adriana Varejão, and Walter Pimentel help to think about and unravel the body, flesh, identity, and affectivity in my work.porAcesso Abertohttp://creativecommons.org/licenses/by-nc-nd/4.0/CorpoCarnePinturaMaterialidadeDidi-HubermanBodyFleshPaintingMaterialityDidi-HubermanTrabalho de conclusão de curso de graduação (TCCG)