2013-10-132013-10-132004-12-30NOGUEIRA, L. Lucio Flávio, o passageiro da agonia, de Hector Babenco. Comunicação & Informação, Goiânia, GO, v. 7, n. 2, p. 212-217, jul./dez. 2004. Disponível em: <http://www.revistas.ufg.br/index.php/ci/article/view/24401>.1415- 5842http://repositorio.bc.ufg.br/handle/ri/1437v.7, n. 2, p. 217-217, jul./dez. 2004.The portraiture of the journalist in brazilian movies of the' 1960s is different from that of newspaper movies of the same period. In the films Boca de Ouro(1962), O Desafio(1965) eTerra em transe(1967) which discard melodrama as a narrative technique, the journalist is neither a hero or a vilain. From the 1970s on, this approach extinguishes and brazilian newspaper movies became more similar to the american model. Lúcio Flávio, o passageiro da agonia is an exemple of a new way of portraying the journalist in the brazilian cinema.pt-BRCinema e jornalismoFilmes de jornalistaArticle