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Item O cânone crítico-poético de Manoel de Barros(2001) Camargo, Goiandira de Fátima OrtizThis study aims to examine the critical-poetic literary canon in Manoel de Barros. The self-reflexivity in Barros’ poetry forms a creative consciousness which articulates literary creation and critical invention in the poetic space. In Manoel de Barros’s works, the poems question the crisis of the word and the compositional process which giving form to intentions presented in the author’s essays allows us to depict the poet’s aesthetic project. The choice of a universe of ordinary things, the preference for that which despised by society, the feeling of fragmentation, the search of an Adamic word, which denotates a lost language – all this are some of the recurrent motives that are interwoven to the liric voice of Barros’s poetry. Departing from a reshaping of the poetic canon that can be obtained by mean of a critical approach to poetry, we will examine the “critical metaphor” – the precarious condition in which the insertion of poetry in the world as metaphor inaugurates the space of criticism of the word as well as the criticism of mechanisms used for representation of reality.Item Sonata nº l para violoncelo e piano de Camargo Guarnieri: uma análise(Sonia Ray, 2001-12) Rabelo, Paulo César MartinsThe first cello sonata was written in 1931 and it is a relatively early work of Guamieri, who was only twenty-four; but it already shows a refinement of cornpositional technique. Through the analysis of the piece in terrns oí form, harrnony, melody, rhythrn, and texture the author intends to inform and guide the perforrner into Guamieri's music. It is relevant his care for detail and inner logic of structural evolution, the nostalgic character and freedorn of his melody, the cornplexity of his harmonic language, the richness of his rhythrn, the marked presence of polyphony, all of this having a structural relationship with folk and popular Brazilian rnusic.Item Compreensão filosófica dos aspectos musicais(Sônia Ray, 2001-12) Palácios, Gonçalo ArmijosAbstract ln thls artícle I will briefly compare Rousseau·s and Eduard Hanslick's formalist conception of music. Toe content of thls paper was presented in my conference for The 3n1 Goianian Musicoterapy Forum in November Slh 2001.Item Neva Leona Boyd e Viola Spolin, jogos teatrais e seus paradigmas(2002) Camargo, Robson Corrêa deItem A obra pianística de Estércio Marquez Cunha(Sonia Ray, 2002-12) Garcia, Nilsea Maioli; Barrenechea, LúciaThis article presents an overview of the piano works written by Estércio Marquez Cunha, a composer born in 1941 in Goias State, Brazil. His piano works, still in manuscript format, represent a significant portion of the Brazilian piano repertoire produced in the second half of the 2Qlh century to this day. Through a detailed description of sclccted works, the aulhors hope to contribute to divulge some of lhe Brazihan contemporary music.Item Uma abordagem da forma musical como elemento constitutivo da trama social(Sonia Ray, 2002-12) Clímaco, Magda de MirandaMusical form in its interation with lhe sacio-historie context is lhe underlying theme of this work. A motel from the 14'h century was taken as the prime example with lhe intention of establishing possible relationships between the formal structure of the work and lhe structures of the society. The aesthetic and socio-historic approach made possible lhe afirmation that lhe musical composition, taken as example, can be considered a representative support of the collective imagination with which has been interaged, as well as the changes of time inherent to that age. Under this condition, it was capable of suppartting a "multiple rime", to present three dimensions of meaning: actual, residual and latent. lt was a practice and a way of disseminating elements that would be basic to the starting of new ages. It was capable of constituting the social element.Item Conexões teóricas entre performatividade, corpo e identidades(2003) Pinto, Joana PlazaBased upon Derrida's (1990) and Butler's (1997; 1998; 1999) interpretations of Austin's (1976) speech acts studies, this article examines theoretical connections with performativity, body and identities. A radical performative view of language submit the body to examination as a basic principle of identity practices analysis. Repeated speech acts within an unyielding normative frame constitute identities - ritual acts of a body that speech. Specially gender identities are important examples to understanding the linguistic aspects of body regulations.Item Cinema, televisão e autoria: a ficção seriada e os filmes do melodrama(2003-05) Nogueira, Lisandro MagalhãesItem Sobre discurso feminista em publicações: a política do Grupo Transas do Corpo(2004) Pinto, Joana PlazaA society doesn’t yield a only way to see reality. Divided between antagonistic interests of unequal groups, a society yield discourses in contrast and opposites. However there are some discourses that surpass yours antagonistic in your age, reproducing governing groups interests: the hegemoniacal groups. The antagonistic opponent of these governing groups are strongly submit to regulations and render void of power. Aware of these discoursive game of power, feminist discourse proliferate yours ideas about gender trouble, supporting a plural, fair and reciprocal society, although it don’t go in on a standard interpretation of discourses types. Transas do Corpo Group, Brazilian feminist NGO, try to make apparent more and more the unlikeness of feminist discourse, and promote female voice in public discourse. For that, they recognize to stand in need of create women’s text production spaces, in such wise as to found and encourage women’s literacy in our context of writing technologies. Therefore, Transas do Corpo Groups work out in detail a publishing policy.Item O ensino da performance musical: uma abordagem teórica sobre o desenvolvimento dos eventos mentais relacionados às ações e emoções presentes no fazer musical(Sonia Ray, 2004-06) Paula, Lucas de; Borges, Maria Helena JaymeThis article intends based on writings about cognitive psychology found in the book How the mind works by Steven Pinker, to argue about the development of the inner events, or mental activities connected to actions and emotions that control the instrumental practise. The interdisciplinar character of making music, implying to its realization in connecting with others knowledge‘s areas, imposes to instrument teacher the duty of to be constantly bringing up to date the knowledge referring to areas interfaced with instrumental performance. In this way, the music teacher as a conscious instructor that making music is linked a lot of others areas must to be informed about the psychosomatics process that control the human activities to apply this knowledge in music performance.Item O papel do fazer musical no ensino regular(Sonia Ray, 2004-12) Vieira, Edna Aparecida Costa; Vieira, Alice; Leão, ElianeThis is an experimental study that shows the relevance of teaching art along with music. The systematization of music activities was aimed, and also the integration of childhood literature, drawing and scenic arts experiences. The goal was the development of the satisfaction through ludic activities and through creativity based on the hipothesis that music is an integral part of all artistic experience. The results were significant when the musical development were observed and the musical production were analyzed. The musical performances and the artistic performances of the subjects were relevant.Item O alongamento muscular no cotidiano do performer musical: estudos, conceitos e aplicações(Sonia Ray, 2005-06) Ray, Sônia; Andreola, XandraDuring the last years we can observe an increasing number of Brazilian texts which approach the use of the body musical performance. These texts have raised many new questions, such as: what is stretching and what it its role in performance, how can it contribute to optimize the use of the performer's body, when does it hinder musical execution, or if a sequence of exercises can actually have an effect on results. Answering these questions is the main goal of this paper, which presents Brazilian studies related to the use of the body in musical performance, the concepts of warm-up and stretching, and a proposal for muscular warm-up and stretching for the musician's daily routine.Item O processo grupal na formação do musicoterapeuta: uma experiência interdisciplinar(Universidade Federal de Goiás, 2005-12) Esperidião, Elizabeth; Sá, Leomara Craveiro deItem O curso de musicoterapia da Universidade Federal de Goiás a formação e a identidade profissional do musicoterapeuta(Universidade Federal de Goiás, 2005-12) Zanini, Claudia Regina de OliveiraItem O ensino de música no Brasil: fatos e desafios(Universidade Federal de Goiás, 2005-12) Oliveira, Glacy Antunes deItem Os entre-lugares da subjetividade na poesia de Armando Freitas Filho(2007) Camargo, Goiandira de Fátima Ortiz; Ferro, Letícia Costa e SilvaOne of the guidelines for reading contemporary Brazilian poetry is the figure of the subject which, time and again, discloses itself empirically during the process of lyrical refinement. Starting from this basis, the present article attempts to verify the way this happens in some poems by Armando Freitas Filho.Item Cinema e política: a representação do jornalismo e do marketing político no cinema brasileiro(2007-12) Nogueira, Lisandro MagalhãesBrazilian movies in the 1990s sought to provide a diagnosis of the rapid changes occurred in the field of communications during that period. The film Doces Poderes (Sweet Powers), by Lúcia Murat, shows how Brazilian journalism, when subjected to political marketing and advertising, loses its power as a primary source of information and gives room to what is know as “news as product”. Although Murat´s film purports to be a critical reading of the state of journalism in the 90´s, its cinematic language and narrative structure undermine its intent, revealing instead the frailties and limitations of the Brazilian cinema of political slant.Item Na frente do espelho: a construção de imagens na tropicália(2008) Bruzadelli, Victor Creti; Corrêa Júnior, Sebastião RiosInto this article we’re proposing to discuss the tropicalism, starting from the images produced by this movement on the media, in three ways: the television, discs covers and songs. For this argument were chosen live presentations on TV shows where the music were the focus (O Cassino do Chacrinha and some festivals, as well as the Divino, Maravilhoso – produced by the members of the movimento tropicalista), the front cover of the album Tropicália ou Panis et Circensis from 1986 and the song Lindonéia.Item Paisagem sonora da paixão vilaboense (século XIX)(Sonia Ray, 2008-12) Souza, Ana Guiomar RêgoThis article is a result of sounds inquiry inferred from a wide range of documentation concerning Vila Boa’s Holy Week celebrations during the 19th century (chronicle, newspapers, travelers’ stories, lithograph, manuscript and others sources, as well as sounds past residues still presents in the current celebrations). The proposal was to transform the sonorities emerged from different supports in potency able to make possible a historical narrative for the way of the sonorous one. Thus, based on Murray Schafer, the research intended to reconstruct Passion’s “soundscape” over the time frame previously mentioned, showing a festive space whose sound effervescence denies the mythical “sepulchral silence” that many related the old time Passions.Item Cinema e jornalismo: o melodrama e a tragédia moderna(2008-12) Nogueira, Lisandro MagalhãesClassical cinema and broadcastHU journalism have narrative forms which are similar in that the two of them search for “objectivity” and have melodrama as its central characteristic. The film Doces Poderes (1996), by Lucia Murat, combines these two elements, while Um céu de estrelas (1996), by film director Tata Amaral, deviates from melodrama and criticizes the objective procedures of broadcast journalism. The analysis of these two films allows us to examine how Brazilian cinema represents broadcast journalism and evaluates the similarities and differences between both areas.