This paper proposes to investigate how the urban intervention artworks “Imagens Posteriores”
(2012-2013) by Patricia Gouvêa, “Giganto” (2009-2013) by Raquel Brust and “Polaroides (in) visíveis”
(2005-2011) of Tom Lisboa as they migrate from urban to virtual space generate a new “happening” of the work, from the mediatic relation through the reading of the historian François Dosse.