A performance da voz e a subjetividade na poesia contemporânea
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Data
2013
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Resumo
In this paper, we deal with the relationship established between the
reader and the subjectivity set in contemporary poem. For this, we consider
the vocal performance as a tool for understanding the poetic text, despite
today prevail the use of printed media for publication. We believe that, to the
extent that the making of the poem substantially involves the manipulation
of the sound of the word, the reading need to resort to the listening of a
voice, even if only as a potentiality. We note, however, that performing vocal
does not demonstrate only rhythm, tempo and intonation of the verse; with
her, the presence of subjectivity that manifests itself in lyrical composition
becomes clear. At this point, it is important to mark that in the contemporary
world poetry harbors a diversity of settings given by a multiple creator
subject. Considering this, we study poems written by contemporary poets:
three Portuguese, Fiama Hasse Pais Brandão, Ana Luísa Amaral and Manuel
de Freitas, and three Brazilians, Francisco Alvim, Neide Archanjo and Claudia
Roquette-Pinto. Based on these poems, we propose a classification of
different instances of the subjective principle. We observe, finally, how the
performance of the voice comes into play with these instances.
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Palavras-chave
Poesia contemporânea, Leitura, Performance, Voz, Contemporary poetry, Reading, Performance, Voice
Citação
ROSA, Olliver Mariano; CAMARGO, Goiandira Ortiz de. A performance da voz e a subjetividade na poesia contemporânea. Outra Travessia, Florianópolis, n. 15, p. 205-225, 2013.