Doutorado em História (FH)

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As lutas anticoloniais em Guiné-Bissau e Cabo-Verde sob a perspectiva ideológica e a trajetória política de Amílcar Cabral (1960-1974)
(Universidade Federal de Goiás, 2018-09-14) Abadia, Danúbia Mendes; Pinto, João Alberto da Costa; http://lattes.cnpq.br/4246394797193440; Pinto, João Alberto da Costa; Monteiro, Artemisa Odila Candé; Barbosa, Pedro; Garcia, Alysson Fernandes; Maciel, David
The following aim of this dissertation is to discuss the process of anticolonial liberation struggle in Guinea Bissau and Cape Verde from the political and ideological trajectory of PAIGC leader Amilcar Cabral. Thus, we address the impact of Portuguese colonialism in Guinea and Cape Verde to trace the particularities of each one of the former colonies that, although under the same exploitation regime, present different formations, which will be reflected in the entire process of anticolonial struggle. In this sense, in denying assimilation to the colonial culture, the 'Cabral Generation' developed the epistemological breakdown that made possible the anticolonial struggles in Africa. After completing the Agricultural Engineering degree in Lisbon, Cabral returned to Guinea-Bissau determined to mobilize the fight against colonialism. The experience of Amílcar Cabral as an agricultural engineer became important in the work of mobilization and in the knowledge of the various peoples and their realities. Also called "engineer of consciences", we consider the intellectual framework that was bequeathed by Amilcar Cabral, as an African theorist of armed struggle who also used theory as an efficient weapon against colonialism. For Cabral, to study was important for every revolutionary. Beyond the economic and political liberation of colonialism, it was fundamental the liberation of consciences. Hence, Cabral's thoughts highlights the maintenance of traditional practices, to the same extent that hold science and knowledge; the party's schools functioned in the liberated areas of Portuguese domain, as well as the health centers and the people’s warehouses, where the community participated in the guerrilla deployments; women also formed the army of liberation, and the fight for the liberation of women was one of the axes of the party. The PAIGC guerrilla created a state within the colony from the practices of self-organization and self-management of armed struggle. Amílcar Cabral was cowardly murdered before seeing Independence materialize, however many of his thoughts remain a landmark for political decolonization, of minds and hearts, as the liberation of the African people.
O Hospital Real Militar: saúde e enfermidade em Villa Boa de Goyaz (1746-1827)
(Universidade Federal de Goiás, 2014-03-12) Age, Mônica de Paula Pereira da Silva; Santos, Dulce Oliveira Amarante dos; http://lattes.cnpq.br/2317207486041256; Santos, Dulce Oliveira Amarante dos; Anzai, Leny Caselli; Mendonça , Manuela; Salomon, Marlon Joison
This study aimed at reconst ruct ing the history of the Hospi tal Real Mi l i ta r de Vi l la Boa de Goyaz from 1746 to 1827. It is a new theme in the historiography produced in Goiás and as such i t wi l l certainly be frui t ful to the comprehension of the history of Medicine in this state. I star t f rom the principle that inst i tut ions, which are not and have never been stat ic real i t ies, have thei r histories and roles properly establ ished, and this is one of the reasons that make them subject to analys is. Based on this research object , i t is possible to reveal : the social imaginary that was p resent in Goiás about the hospi tal ; the intervent ions of the Kingdom, wi th reference to Medicine , in the Brazi l ian colony; the Portuguese -Brazi l ian medical theories and pract ices about the body, heal th, cure, and disease; the structure of the Portuguese - Brazi l ian medical assistance in that period; the hospi tal treatment of fered to soldiers; the most recurrent diseases in the captaincy of Goiás; the therapeut ic and prophylact ic resources known and used in that period, both in the Kingdom and in the Colony; among other aspects. The main sources used in the study are: the Regulat ions for the Mi l i tary Hospi tals; the Regulat ions for the Physician-Major and the Surgeon-Major; the announcements of contract for the tasks needed in the hospi tal operat ion; the books about diet and medical prescript ions, as wel l as the l ist of medicines requested and received to fi l l up the drugstore of the hospi tal ; and the medical guides and manuals that ci rculated in the Kingdom and in i ts domains. We emphasized that the increase of mi l i tary members in the captaincy of Goiás was preponderant in the const ruct ion of a mi l i tary hospi tal before the construct ion of a civi l one in the region. Af ter al l , the soldiers were also those who cont ributed to keeping the assets of the Kingdom in Goiás, rest raining the cont raband of gold, helping in the col lect ion of the quinto, and imposing the order in the region. The hospi tals reveal , through their historical t rajectories, thei r ut i l i ty wi th regards to the heal th and the infi rmi ty of a part icular s ociety.
Rompendo os vínculos, os caminhos do divórcio no Brasil: 1951-1977
(Universidade Federal de Goiás, 2010-03-26) ALMEIDA, Maria Isabel de Moura; Sandes, Noé Freire; SANDES, N. F.
Cette enquête se propose d analyser les 26 années (1951-1977), qui ont témoigné du grand affrontement entre les opposants de l institution du divorce au Brésil, parmi lesquels l Eglise Catholique et les défenseurs de sa législation, parmi eux Nelson de Souza Carneiro. Celui-ci a pris toutes les initiatives nécéssaires pour retirer le príncipe de l indissolubilité du mariage de la Constitution Fédérale de 1951 a 1977, année pendant laquelle fut aprouvée la loi nº 6.515/77, appelée Loi du Divorce ou Loi Carneiro. Pendant trois décades (1950, 1960 et 1970), pour lutter éfficacement contre le divorce, l Eglise Catholique à reagi contre les idées modernes qui faisaient en sorte que le mariage perdait de sa rigidité devant l escalade de l individualisme et l apparition de la subjectivité qui de fait, peu à peu avaient um impact dans la vie quotidiénne et les expériences personnelles, réduisant á rien les notions traditionnelles de la famille et du mariage. Les signes des nouveaux comportements et des idées nouvelles peuvent être observés dans des proportions inédites de mobilisation em faveur du divorce, dans la deuxième moitié des anées soixante-dix, a travers des manifestations publiques débats dans la presse écrite et orale. L impact de cette polemique est arrivée jusqu au Parlement qui en pleine dictature militaire a vécu avec la question du divorce, des moments rares de présence et de participation populaire massive dans les couloirs. C était la première fois, depuis l édition de l Acte Constitutionnelle nº 5 que le Congrès votait librement, sens pression, ni imposition du Palais du Planalto. Le gouvernement autoritaire du Président Ernesto Geisel a laissé ouverte la question à la conscience des parlementaires. Ainsi il a crée les conditions nécéssaires pour l approbation du divorce. L Église Catholique a été dans l obligation d accepter, malgré de véhémentes protestations, le dur coup qui a détruit la cohabitation politique qui pendant longtemps avait mis à l écart le divorce de la société brésiliénne
A constituição disciplinar da história global e a superação de uma dicotomia no debate entre modernidade e pósmodernidade (1990-2010)
(Universidade Federal de Goiás, 2017-05-26) Alves, Frederick Gomes; Carvalho, Eugênio Rezende de; http://lattes.cnpq.br/6512128178979996; Carvalho, Eugênio Rezende de; http://lattes.cnpq.br/6512128178979996; Klemi, Albene Miriam Menezes; Moreli , Alexandre; Patti, Carlo; Valle, Ulisses do
This work aims to present global history as a subfield of history. It constituted itself in the three last decades incorporating the great issues of the final years of the twentieth century, and seeking to understand also the significance of the events of the 2000s. Therefore, the object of analysis is the global historiography produced between 1990 and 2010. The first chapter will seek to analyze a set of works of this trend in order to present his outlines: tasks, sources, methods, periodization and the strategies of narrative construction that capture and explain globalization; thus exposing thematic preferences of the authors. The second chapter asks about historiographical antecedents that led to the formation of this trend, and traces the history of the tension between cosmopolitanism and parochialism in several historiographical traditions, underlining the first’s suppression since the nineteenth century and its return in the second half of the twentieth century in the current of world history, from where global history emerges. The third chapter addresses the modernity/postmodernity debate documenting how it was present in the formation of global studies in the 1980s and of global history itself in the 1990s. By exposing the debate and analyzing its constitutive role in the trend of global history, it will be possible to show how the latter overcame the dichotomies of the first, incorporating: the critique of eurocentrism and of the nation-state – from postmodern thought; and fundamentally the metanarrative as the mode of writing the history of humanity – from modern thought. Thus this subfield of history recovers and actualizes a modern element through postmodern experience, the result of which is a global metanarrative, more prepared to face the dangers of Eurocentric and nation-state discourse, and more adequate to provide historical meaning in a globalized world.
Os usos políticos da narrativa mítica em Luciano de Samósata: aspectos do regime de memória romano (séc. II D. C)
(Universidade Federal de Goiás, 2014-10-09) Arantes Junior, Edson; Gonçalves, Ana Teresa Marques; http://lattes.cnpq.br/7049736226460820; Gonçalves, Ana Teresa Maruqes; Brandão, Jacyntho José Lins; Rossi, Andrea Lúcia Dorini de Oliveira Carvalho; Sandes, Noé Freire; Vidotte, Adriana
Lucian of Samosat was an important interpreter of the Roman Empire, his writings were about a varied of topics. People who study about this writer focused on two possibilities for understanding his political stance: on one hand, there are authors who consider he is disconnected from his time and sociopolitical context; on the other hand, there are those who see him as a political activist opposed to Rome. In this Thesis, we consider that Lucian has an ambiguous position, since he identifies himself as Syrian, underscores his entire Hellenic education and criticizes aspects of Roman political culture. However, we believe that he was aware of the benefits that the empire brought all dominated peoples. Thus, we can say that he was a writer who collaborated with the maintenance of the imperial system. To prove this hypothesis, we analyze his famous satirical dialogues, which were often disregarded by his interpreters. Known for combining the dour philosophical dialogue with sarcastic comedy, we understand that the writer intended to produce laughter, which would turn to the mobilization of thought. We restrict our investigation to the dialogues that use mythology as subject. The myths were thought as components of a cultural memory and thus are presented within the limits of the Roman memory system. This selection was formally organized on topics related to political power and its everyday manifestations. Thus, we are concerned with the Lucianic representation of assemblies, tyrants and the relations of the deities among them and especially with Zeus. We understand that Lucian did a thorough exegesis of his reality, highlighting and criticizing abusive postures. In his dialogues, we can see other possible dimensions of interpretation of political power in the Roman Empire.
Entre-jornadas: coolies e negros nas plantations de trinidad, 1845 – 1890
(Universidade Federal de Goiás, 2007-05-15) Araujo, Alexandre Martins de; Garcia, Olga Rosa Cabrera; http://lattes.cnpq.br/6940258824352374; Garcia, Olga Rosa Cabrera; Ganem, Eliane; Ferreira, Jo-Anne Sharon; Mello, Maria Therezinha Ferraz Negrão de; Silva, Luiz Sérgio Duarte da
This study is on the relationship between Indian and African Descendant Community in Trinidad during the nineteenth century. Theses two populations coexisted under the tense atmosphere involving all kinds of stereotypes, dispersion policies and interest wars from local gazettes playing in defense of each involved group. Thus arises the following question: how was it possible for the two groups to work together, that is, in the same space of plantation, without serious conflicts? A probable response to this question is found on perception of existence of cultural negotiation spaces, built up by circumstance of “liminal stage”, into the “journeys”, in which people from different cultures can temporally seeing each other without social status.
Os Javaé e o protestantismo: salvação e resistência (1896-1937)
(Universidade Federal de Goiás, 2019-04-30) Araújo, Ordália Cristina Gonçalves; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Brighenti, Clovis Antônio; Silva, Sandro Dutra e; Moura, Noêmia dos Santos Pereira; Silva, Maria do Socorro Pimentel da
This research seeks to analyze the decolonial posture of the Berò Biawa Mahadu (Javaé) people of the Araguaia Valley, then North of Goiás, present state of Tocantins, facing the processes of salvation and civilization proposed by the Protestant missionaries, between 1896 and 1937, through of attitudes of resistance concerning the project in question, whose results were the small result on the part of the protestant missionary projects to the time. It is a decolonial investigation, anchored in the recent debates carried out by the Collective of Modernity-Coloniality-Decoloniality researchers (M/C/D), a group of intellectuals from diverse areas of knowledge who guide their theoretical perspectives in function of the critique of modernity from categories such as transdisciplinarity, coloniality of power, of being and of knowledge and critical interculturality, among others (CASTRO-GOMEZ, 2005; ESCOBAR, 2005; MALDONADO-TORRES, 2016; MIGNOLO, 2010; NAZARENO, 2017a; 2017b; WALSH, 2009; 2010; 2013). We have as basic premises the non-methodologies of ethnohistory (NAZARENO, 2017b), proximity (SUÁREZ-KRABBER, 2011) and the conversation (HABER, 2011). Through them we conjecture that the Protestant missionaries executed, in the First Republic, travels of knowledge in the region of the Valley of the Araguaia like observer agents allegedly placed in a neutral place. Although immersion (engagement) in the indigenous environment (way of life, cosmology, food, mother tongue) led to contradictory perceptions of indigenous peoples, indigenous people influenced more than they were influenced. Besides that, due to the experience of attempted evangelization, indigenous peoples such as the Javaé resisted the intentions of Protestant missionaries, taking refuge in the interior of Bananal Island, leaving this isolationist position already in the middle of the twentieth century.
A sociedade luso-africana do Rio de Janeiro (1930-1939): uma vertente do colonialismo português em terras brasileiras
(Universidade Federal de Goiás, 2017-03-09) Assunção, Marcello Felisberto Morais de; Paulo, Heloisa Helena de Jesus; http://lattes.cnpq.br/4731830660284653; Serpa, Elio Cantalicio; http://lattes.cnpq.br/7856851919811733; Serpa, Elio Cantalicio; http://lattes.cnpq.br/7856851919811733; Thomaz, Omar Ribeiro; Gonçalves, Leandro Pereira; Sandes, Noé Freire; Maciel, David
The aim of this study is to analyze the colonial project of the Portuguese-African Society in Rio de Janeiro through the analysis of the twenty editions of its Bulletin (1931-1939), as well as books, booklets and other types of publication made by the members of the Society. In order to do so, we initially investigate the conditions from which the “imperial nationalism”, of which the Bulletin is a strong expression, emerged. In the following chapters, we seek to understand the many peculiarities of the Bulletin by evidencing the trajectory of the Portuguese-African Society in Rio de Janeiro in its two main moments: from the veiled criticism to the Salazar government and the search for a strong “panluso coalition” (1931-1934), to the rejection of the Estado Novo in the final years of the Bulletin (1935-1939). We grasp these transformations by inspecting varied sources, mainly the editorials of the Bulletin. Next, we explore the political senses of the “pan-lusitanism” within the larger logic of the “pan-ethinicisms”, also discussing the pan-lusitan discourse shown in the “Cartilha Colonial” by Augusto Casimiro and in the Bulletin. After that, we analyze the colonial project of the republican military-administrators and correspondent members of the Society, emphasizing the criticism these people made to the colonial practices of the Salazarism and the idealized mirroring in the “Norton de Matos model”. Finally, we investigate the relationship between the historiography of colonialism and the Africanist studies with the ideology of “imperial vocation”, present in the hegemonic colonial knowledge in the 30s. All in all, the careful examination of the discourse of the Bulletin and other publications by the Society allow us to visualize the particularities of the republican colonialism in the middle of the Salazarist political hegemony in the 30s. This discourse can be considered a vanguard of the colonial reformism, which will become stronger in the 50s. The defeat of the project of the colonial reformism in the 30s is an expression of the fact that, in times of Estados Novos, the “democratic” rhetoric (even if restricted to discourse) has no place.
Entretempos do corpo e da voz na escrita de artista como história: testemunho e (des)construção de representações na escritura biográfica de Estércio Marquez Cunha (Goiânia, dos anos 1965 a 2013)
(Universidade Federal de Goiás, 2015-06-26) Barbaresco Filho, Eduardo; Noronha, Márcio Pizarro; http://lattes.cnpq.br/2875707762585409; Noronha, Márcio Pizarro; Fuão , Fernando Delfino de Freitas; Gadelha, Rosa Cristina Primo; Climaco, Magda de Miranda; Ribeiro, Luciana Gomes
The writing about an artist’s life permeates the universes of creation that reflects places from memory, affections, sensations, dimensions that are interpolated and unveiled by the historian in the construction of a biographical history narrative. We are going to course here, the just space, interstice, between music and history, having the composer Estércio Marquez Cunha (1941 - ), from Goiás, as a reference of thinking about these relations, the life and the work (vidobra – Dosse), the deed (Derrida) and the own testimony (Ricoeur). Therefore, we have two ways of research: interviews with the composer and sources from dissertations, tasks, work (precisely from 1965 to 2013), personal book reports. Estércio’s ´ production is marked by diversified pieces, with formation to solo instruments, orchestra, choir, chamber music groups. His creation process is strongly connected with the other arts, considering his songs with poems made by himself, or yet a highlighted genre, the theater music. Every sound, rhythm, move, can become material for a composition, since it is organized and thought artistically. In his pieces the image of silence, of the extended time, broaden, is outstanding, with preference for slow tempos, that stimulate the process of perception – the way the artist utilizes for aesthetic reflections, besides the exploration of the timbre, rhythmic, melodic – from the space of the criticism, and the positioning of the human being before the dimensions of solitude, anguish. Such questions are still little studied in the musicology in Goiás, or in the regional classical music scene, where Estércio is reference. Many sound desire become reverberated in a multiple temporal relation and superimposed from inspiration, intention, from deed and performance. With the purpose to talk, and unveil, the creator in his sound narratives, between the work and the discourse, we consisted a deployment of the historical and musicological thinking: Estércio in the history of music, his singularities and exemplarities. The aim is to register and present an intellectual biography (Dosse), a biographical writing, reaffirm an establisher moment of art in time-space dimension in Goiás, having Estércio as character of the action, of the historical plot, an unfinished tissue, contribute to the studies about art/music in the national scene, highlighting the directory group of CNPq INTERARTES. The life and the work of the artist align in the formulation of a historiography, with sights to the relations between archives, texts, contexts, institutions and aspects of the configuration of I, subject-composer. An evidentiary trajectory ensures the analysis, the interpretation, an hermeneutic vision of the structure in his fractures: the polyphonic field, that life and history mix, identity, creation, consciousness and liberty.
Muito além das telas douradas: cidade e tradição em Goiandira do Couto
(Universidade Federal de Goiás, 2017-04-12) Barbosa, Raquel Miranda; Capel, Heloisa Selma Fernandes; http://lattes.cnpq.br/0202627724737454; Moraes, Cristina de Cássia Pereira; Silva, Ademir Luiz da; Quadros , Eduardo Gusmão de; Capel, Heloisa Selma Fernandes; Magalhães , Sônia Maria de
In representing the urban landscape of the City of Goiás, Goiandira do Couto (1915-2011) privileges a pictorial narrative based on the myths and landmarks built during Portuguese colonization, along the axis that is structured between the Largo do Rosário (Rosary Square) and the Largo do Chafariz (Fountain Square). As an heiress of a cultural and family traditions, the artist establishes a relationship with Guardian-of-the-past Institutions, such as the Organization of Arts and Traditions of the City of Goiás (Organização Vilaboense de Artes e Tradições - OVAT), reinventing the city and its cultural identity. In her paintings, the valorization of the symbols of the official memory inspired the creation of an ideal city which would later become a heritage city, proclaiming the plot of officialdom, as seen in the Dossier of Goiás, the document that formalized the candidature of the City of Goiás to the title of World Heritage, homologated in 2001. Because it is a complex process, the institutional power of the Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN (Institute of National Historical and Artistic Heritage) is highlighted, which was dedicated to the survey, recognition and promulgation of the cultural heritage of the City of Goiás, between the decades of 1950 and 1990. From the 1960s onwards, this process is established in a fruitful dialogue with the cultural elite (OVAT) and with the local and regional political authorities which, in turn, have glimpsed the preservation of the past as an attribute to project the City of Goias to the future. Meanwhile, the golden canvas travelled around the world, stating the existence of an ideal city in the interior of Brazil, endowed with "universal exceptional value". We hypothesized that, in delimiting the perimeter of the historical listed patrimony, in the 1980s, the IPHAN has considered the relationship of the built heritage with the list of traditions visually and immaterially constructed by Goiandira do Couto. We suspect that these approaches have converged to the delimitation and normalization of the limits, symbols and characters which would represent the birthplace of the local (State of Goiás) culture along with UNESCO. Through the specificities of this process, the traces of Goiandira do Couto were legitimized, in the advent of the 21st century, among the memory places of the heritage city with the foundation of the Cultural Space Goiandira do Couto, a place intended to the ‘musealization’ of the public and private trajectories of this remarkable artist and guardian of the memories of the City of Goiás, when she was still alive.
Cultura histórica e questão nacional na primeira república: o sentido da formação entre o ensaio e os escritos educacionais de Manoel Bomfim (1897- 1930)
(Universidade Federal de Goiás, 2015-12-04) Bento, Luiz Carlos; Sandes, Noé Freire; http://lattes.cnpq.br/9092776092145960; Sandes, Noé Freire; Gontijo, Rebeca; Gontijo, Diva do Couto; Bittencourt, Libertad Borges; Silva, Luiz Sergio Duarte da
This thesis reflects on the historical thinking of ManoelBomfim, placing him in the social dynamics of its time. Along the research sought to contextualize the thinking of the author through a horizontal analysis of intellectual production, which is configured as multiple and diverse, having as leitmotiv the pursuit of analytical understanding of the way in his texts, both focused on education and in the historic trials it was thought a national history writing project that seeks to put under other bases the understanding of national training. In this way, we seek to demonstrate how the national question and the discussions on the national education merge in the mind of the author, giving a certain identity that characterises his thinking history that emerges in the first decades of the twentieth century as a historic speech against dominant produced and disseminated by the IHGB. In this sense, his writings, especially his essays of the twenty dialogue critically with the project of writing the history of Brazil produced by institutes, placing itself as an antithesis of this historiographical culture and pointing to new possibilities of production of sense from a dialogue with other elements and symbols, to some extent marginalized, but available on the historical culture of the period. Methodologically seek to interpret a great part of his writings, produced in different times and places from a question problem was understanding: how he thought the national training and the staff of this process? The answer to that question is the element that gives analytical identity for this thesis.
Memória e sacralização de Dom Fernando Gomes dos Santos: O “Arcebispo da Providência”
(Universidade Federal de Goiás, 2011-07-01) Borges, Lindsay; Salomon, Marlon Jeison; http://lattes.cnpq.br/0631789010231492; Salomon, Marlon Jeison; Martins , Estevão de Rezende; Quadros, Eduardo Gusmão de; Arrais, Cristiano Pereira Alencar; Sandes, Noé Freire
This study investigates the process by which Don Fernando Gomes dos Santos, the first Archbishop of Goiânia (1957-1985), was represented - by the means of communication of the archdiocese, particularly by the Journal of the Archdiocese - as sent by God to act in this Region in the period when the church faced, in Goiás and Brazil, complex challenges. Studies indicate that the Archbishop, imbued with his mission, sought to become a model of religious who devoted his life to the Church‟s cause, besides concerning about how he would be remembered by archiving his memory and also the archdiocese‟s one. From this perspective, the group formed around the Archbishop has operated a selection of aspects and stages of the life of the prelate, considered significant, seeking to represent him as a Christian model capable of facing the challenges brought to the Church in that period, projecting his memory to continue guiding the actions of the archdiocese in the future. This effort has basis on the archbishop's actions since he seemed to take up the task of making of Goiás a model of church in Brazil, signaling through words and deed that goal. By building these representations, and designing the memory of Don Fernando, the group aimed at defending the model of Church adopted by the prelate, against the social sectors and also to groups who fought, within the institution, his pastoral line or did not accept its consequences. This process has been in force during the management of the archbishop and more than a decade after his death, having as special moments for this discursive construction the events in honor of him, recorded in the Journal of the Archdiocese. However, the work of continued memory during the administration of his successor was stopped when the current Archbishop of Goiânia took up office, giving rise to a dispute of memory during the centenary of Don Fernando‟s birth in 2010.
Como o Oeste se perdeu: representação, nação e modernidade no Novo Western (1969-2012)
(Universidade Federal de Goiás, 2015-02-27) Borges, Rafael; Bittencourt, Libertad Borges; http://lattes.cnpq.br/0627231583730287; Bittencourt, Libertad Borges; Ávila, Arthur Lima de; Mendonça , Paulo Knauss de; Silva , Luiz Sérgio Duarte da; Abdala Junior, Roberto
This work starts from the questioning of changes perceived in filmic representations in film genre of the US Western, intending to offer an interpretation to them. Assuming that the Western deals with fundamental issues for the construction of the US nation's image - as the Manifest Destiny and the frontier thesis - it is proposed that these identified changes suggest reviewing and a desconstruction of the nation image elaborate by Americans themselves. However, in addition to the discussion about the deconstruction of this image, it is assumed the western as Eurocentric image, a myth that manifests in the United States the same myth of progress that legitimizes the Western modern project. Therefore, defends the thesis that the new cinematic representations that have gotten repercussion from the main prize of the US cinema over the years, indicate, ultimately, a critique of modernity itself, as discourse and historical process, allowing that glimpse a new time and a new project synthesized in idea of transmodernity.
De Caliban a Próspero: a sociedade brasileira e a política externa da República (1889 – 1945)
(Universidade Federal de Goiás, 2015-03-12) Cardoso, Ludimila Stival; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Patti, Carlos; Chaveiro, Eguimar Felicio; http://lattes.cnpq.br/9540141505352914; Menezes, Gerson Galo Ledezma; http://lattes.cnpq.br/0265453454118640; Oliveira, Marcelo Fernandes de
This thesis sought to analyze the presence and social participation of Brazilian foreign policy. We begin our analysis with an investigation of the dichotomy of Prospero and Caliban, two characters within William Shakespeare's play, "The Tempest" (1611), viewed by post-colonial thinkers as representative of the relationship between the colonizer and the colonized. For this thesis, these characters represent the distance between Brazilian foreign policy and Brazilian society. The first, Prospero, is symbolic of those thriving and in power, while the second, Caliban, is symbolic of those whose humanity has been removed by the prerogative of European domination, but who nevertheless resist domination (resist decolonization). We understand that what was needed was a "swing decolonization" in our thesis, so we discussed the prospect of "coloniality of power," of which we believe America, through the Atlantic trade route, to have been a constituent part of the training of the world system. Therefore, the world system and modern capitalism would also be considered colonial. But the "coloniality of power" is related, in particular, to a process that degrades a portion of the indigenous population, such as blacks, and also degrades women, due to their phenotypes, i.e., it is linked to the concept of "race" ("coloniality of being"), as well as to the knowledge of other ("coloniality of knowledge"), and to forms of spirituality and its relationship with nature ("coloniality of nature"). In other words, these strata would be lower than both ontological and epistemological orientation. These initial analyzes led us to revisit historical periods prior to the focus of this thesis: in particular, the time between the Proclamation of the Republic (1889) and the Vargas Era (1930 - 1945). We therefore arrive at colonization, the first contacts between the indigenous peoples and Europeans (Portuguese), the Iberian Union (1580 - 1640), the Portuguese Restoration (1640), and Independence (1822). This process and path has helped us understand how society and the Brazilian State itself is structured. The first is based on the "myth" of territorial greatness; and the second, by pressing the marks of inferiority, we discuss a perspective from the "coloniality of power" and an analysis, even incidentally, of various interpreters of Brazil. We reflect also on the indigenist policy undertaken since the colonial period until the institution of the Republic (1889) arriving in the Vargas (1930 - 1945). We realized with these analyzes that the objective of the Brazilian State was, mainly, to integrate the indigenous population into national communion, transforming it into a labor force, in addition to using it as a protector of borders. At this point, indigenous politics and foreign policy intersect, since one of the main scopes of the latter would be to ensure the safety of the Brazilian territory and, when possible, to enlarge it. We start, then, with an analysis of the reports of the Ministry of Foreign Affairs between 1889 and 1945. After analysis of this documentation, we explore the importance of the integrity of the territory for the Brazilian State, and examine also the existence of a speech in which Brazil appears as an advocate of the principles of a civilization whose political model is epistemic of a social and cultural conscience of the West. A speech that, in addition to addressing other issues, presents the presence and participation of a population contingent upon other ways of life, and other social and economic organization, i.e. indigenous and black. Still, it is an exception, this democratic deficit and participation has changed, to some extent, in the 1980s, when the social movements began to be interested in international affairs, by way of the fight for the maintenance of labor rights, at risk to deregulation of the labor market and a measure of economic liberalization. This process is, however, under construction and depends on an intercultural dialog, which makes the Ministry of Foreign Affairs and its area of operation the place of intersection and connection.
A história do ensino de História e a formação da elite intelectual brasileira: uma análise a partir da história nova do Brasil (1963-1965)
(Universidade Federal de Goiás, 2019-06-17) Cardoso, Vanessa Clemente; Magalhães, Sônia Maria de; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4794833P2; Magalhães, Sônia Maria de; Mendonça, Sueli Guadelupe de Lima; Pereira, Robson Mendonça; Alencar, Maria Amélia Garcia de; Nazareno, Elias
During the 1950s and 1960s, the discipline of History was highlighted, its construction, and the renewal of textbooks were on the agenda. At the National Faculty of Philosophy of the University of Brazil, the student movement about the debate on proposals for educational reforms was intense. Questionings about the innovation of History teaching appeared within the academic spheres, giving life to the collection História Nova do Brasil, which was published in January 1964 by the Student Assistance Campaign (Cases) and elaborated by Joel Rufino dos Santos, Maurício Martins de Mello, Pedro de Alcântara Figueira, Pedro Celso Uchôa Cavalcanti Neto, Rubem César Fernandes and Nelson Werneck Sodré. The work was inserted in the context of Basic Reforms of the Government João Goulart, possessed a political dimension and was associated with International Communism, receiving unfavorable opinions from the National Commission of the Didactic Book (CNLD), the Army General Staff and the Brazilian Historical and Geographical Institute (IHGB), along with editorials from the newspapers O Estado of S. Paulo, O Globo and the Diário de São Paulo. With the establishment of the civil-military dictatorship, the books were collected from bookstore shelves, burned and forbidden to be sold. The authors of the collection were arrested, humiliated, physically and psychologically tortured. They were forbidden to practice their professions, lost their jobs and had to answer in court for the manuals. Some went into exile and their families threatened. Thereby, this thesis investigated the history of preparing and writing the recent history of Brazil as well as the formation of the Brazilian intellectual elite from the New History of Brazil collection. For everything, we consider the historiographic production about history teaching during the 1950s and 1960s linked to the National Faculty of Philosophy of the University of Brazil (UF FNFi), the University of São Paulo (USP) and the Higher Institute of Brazilian Studies (ISEB). In addition, we checked the receipt of the textbooks, through the unfavorable opinions issued by the National Commission of the Textbook (CNLD), the Army General Staff, the Brazilian Historical and Geographical Institute (IHGB), together with the editorials of the newspapers O Estado de S. Paulo, O Globo, Última Hora and the Diário de São Paulo. Besides, the Military-Police Inquiry was analyzed, resulting from the persecution of the work and the authors during the military civil dictatorship. The theoretical parameter of this research was the concept of symbolic power conceived by Pierre Bourdieu (2004). Thus, from the analysis of the sources, it was possible to observe a dispute for the symbolic production through the critique of the order established by the ruling class represented in the official historiography, which was published by the Brazilian Historical and Geographical Institute (IHGB) and by the professors of the University of Brazil itself. Moreover, the political and cultural dimension of the collection, which aimed at the implementation of Educational Reform in Brazil, was not the only factor for its persecution. Through the inquiries, it was possible to note the attempt to incriminate the perpetrators as a means of reaching and gaining evidence of the association of retired army General and Left Intellectual Nelson Werneck Sodré to International Communism.
Desnudando a masculinidade: representações de nudez e seminudez na estatuária funerária paulistana (1920-1950)
(Universidade Federal de Goiás, 2016-06-23) Carneiro, Maristela; Borges, Maria Elizia; http://lattes.cnpq.br/0672444382021221; Borges, Maria Elizia; Chiarelli, Domingos Tadeu; Leandro, José Augusto; Jesus , Samuel José Gilbert de; Noronha, Márcio Pizarro
This thesis investigates the use of nudity and seminudity and the multiple representations of masculinity in the modern funerary art at the city of São Paulo, looking at the collection of sculptures of the Consolação, Araçá and São Paulo cemeteries, situated in São Paulo State Capital, between 1920 and 1950. This work is a result of the doctorate research done for in the post-graduation program in History, at Universidade Federal de Goiás PPGH/UFG, supervised by Professor Dr. Maria Elizia Borges, furthermore by other resources obtained during the Sandwich Doctorate at Facoltà di Architettura dell'Università degli Studi di Napoli “Federico II”, under supervision of Professor Dr. Fábio Mangone. It is questioned which social and cultural aspects symbolize such male images, paying attention to the proper functions of the space of the cemetery, as an architectural object by definition. These are seen through the prism of Art History, allowing the terms – Art and History – to criticize and transform each other, opening disciplinary borders, as well as conceptual and linguistic ones, enabling for the domain of the historian to be modified by interventions of Art. Through the tabulation of male image occurrences, partially or completely naked, is observed that Italian aesthetic premises, especially those of the Novecento, have significant influence over the elaboration of São Paulo funerary art. This sculptures utilize often depictions that highlight sensibility in face of death, as well as the virility associated with work, on the other hand – in other words, there is no single, unchanging discourse on masculinity in the time period investigated. The analysis of the composition of the sculptures allow reconstructing partially the musings of the sculptors and their aesthetic expressivity as well as the meanings of their use of nudity and seminudity in the funerary art of the period. Furthermore, it is poited out that open air cemeteries allow for the exhibition of depictions of a masculinity sensitive and/or virile with greater expressive liberty. In short, these sculptures, as images, are historically localized and at the same time, bearers of a variety of temporalities and spatialities in the foundations, ever permeated by a continuous process of reconfiguration, from both, Past and Present. “Baring” them allows to find vestiges of Italian expression in the Tropical lands.
O martírio no sol poente: das agruras (e)(i)migratórias à formação de milícias ultranacionalistas no contexto do pós-guerra no Brasil – o caso Shindo-Renmei (1868 – 1956)
(Universidade Federal de Goiás, 2017-03-03) Carvalho, Diego Avelino de Moraes; Sandes, Noe Freire; http://lattes.cnpq.br/9092776092145960; Sandes, Noé Freire; Soares, Rodrigo de Oliveira; Pereira, Paula Graciano; Noronha, Márcio Pizarro; Langaro, Jiani Fernando
Shindo-Renmei ("League of the Vassals’ Path") was a paramilitary organization of Japanese origin which was formed in the countryside of the State of São Paulo in the post-war period. This militia acted in the obtuse sense of "preserving the true Japanese spirit" (Yamatodamashi) by fighting what they called "fake enemy propaganda": the acceptance by members of the colony of Japan's "supposed" surrender in the Second World War. For them, to believe in such a thing would mean a violation of the Japanese identity, betraying the country and the emperor. In this case, the only possible remission would be the death. However, little is known about its origin or its desideratum /disintegration. The purpose of this work is, therefore, to rescue the history and memory of Japanese (im)/(e)migration in Brazil, its bitterness and challenges, discourses and policies underlying this process and that led, in the first decades of the twentieth century, to a process of isolation / exclusion / censorship which was very sensitive to the colonist's life situation. However, this doctoral dissertation does not intend to legitimize the creation of Japanese militias, reducing their meaning to a mere response to a situation of repression. Rather, it is about offering new perspectives on the case, as well as exploring the meanders of the Japanese (im)/(e)migration and how the figure of the Japanese immigrant assured himself in the arduous process of guaranteeing his identity / integrity. This inglorious chapter in the history of Brazil, which was marked by traumas and silences, can now be heard and felt through a herculean effort of the historiographic work. Here is the ultimate goal of this research.
Além das nuvens e dos relógios: a ideia de ciência de David Bohm e de Ilya Prigogine
(Universidade Federal de Goiás, 2015-10-27) Carvalho, Rodrigo França; Carvalho, Eugênio Rezende de; http://lattes.cnpq.br/6512128178979996; Carvalho, Eugênio Rezende de; Freire Júnior, Olival; Barrio, Juan Bernardino Marques; Salomon , Marlon Jeison; Berbert Júnior, Carlos Oiti
Our thesis consists in analyzing, based on theories of the American quantum physicist David Bohm (1917-1992) and the Russian physical chemist, naturalized Belgian, Ilya Prigogine (1917-2003), the science ideas of these two scientists, how they represent authentic scientific views, quite deviating from the prevailing view of science, and also how their concepts contribute to overcoming long dichotomies that have been present in the history of science since a long time, such as determinism-indeterminism antithesis. Through a critical biographical analysis, we present the main aspects of scientific research work of Bohm, his formulation of an alternative interpretation of quantum theory, which has ignited debates and controversies within the world of quanta, his several theoretical contributions, including the theory of plasma, the development of an innovative theory called implicit and explicit order and also his philosophical investigations. We also present and analyze the scientific way of Prigogine and his theoretical interest in non-equilibrium thermodynamics. We show the fundamentals of his theory of dissipative structures, his unique insight into the irreversible phenomena and the most significant implications of this new view of nature and science that led him to the Nobel Prize in Chemistry 1977. Although several important differences between theoretical perspectives and Bohm and Prigogine approach, we noted some similar points that were quite significant, as a concept of science radically different from the prevailing idealized view. Among these similarities we have the search for a unity between man and nature, the importance given to the conception of science without dissociating it from the deepest philosophical questions and the concern about establishing more fruitful dialogues among areas of knowledge.
Célia Câmara: um legado a ser desvendado na Educação Básica (1975-1998)
(Universidade Federal de Goiás, 2025-05-21) Casanova, Bianca Cristina Barreto; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Fernandes, Ana Rita Vidica; http://lattes.cnpq.br/9011537191118959; Dias, Ana Raquel Costa; http://lattes.cnpq.br/8902645603057041; Soares, Ana Carolina Eiras Coelho; http://lattes.cnpq.br/2424054335258827; Magalhaes, Sônia Maria de; http://lattes.cnpq.br/8841367325340262
This research aims to propose the relevance of studying the mechanisms of consecration of artists in basic education in Goiás, focusing on the figure of art dealer Célia Câmara, among the great names of Goiás’ art scene. Intending at a liberating pedagogy, in the light of Paulo Freire, we will analyze the mechanisms of power inherent to the art system, whose results are transmitted, in an alienated way, in traditional school education. For this analysis, we will reflect on the biography of Célia Câmara, relating her trajectory, family life and social connections with her cultural entrepreneurship, mainly as head of the Casa Grande Galeria de Arte, between 1975 and 1995, in the city of Goiânia. Born in Paraná, Célia married journalist Jaime Câmara in the 1940s and, since that, she began her history in Goiás. The social columns of the newspaper O Popular, owned by her husband, follow Célia's trajectory from housewife to entrepreneur and influential figure in Goiás society. Célia Câmara, in this way, used her social capital to keep the gears of the art system in Goiás turning, which showed great professionalization during the 1970s and 80s, the period in which her gallery operated.
O bandeirante que caminha no tempo: apropriações do poema “Martim Cererê” e o pensamento político de Cassiano Ricardo
(Universidade Federal de Goiás, 2015-06-03) Coelho, George Leonardo Seabra; Fredrigo, Fabiana de Souza; http://lattes.cnpq.br/3939287095194355
Esta tesis analiza los escritos literarios y políticos de Cassiano Ricardo, producidos en el período comprendido entre 1920 y 1930. Mediante el examen de los escritos, comprender los procedimientos intertextuales por el cual un símbolo regional "Paulista por excelencia", era una representación adecuada la Nación. El diálogo principal es con el poema Martim Cererê que "canta caminar bandeirante"; Ellos saldrían créditos, extendidas hasta la década de 1970, aunque la pena de Cassiano Ricardo. Para la toma de este tipo de procedimientos realizados en torno a la figura de pionero, utilizamos la categoría "totalizadora regionalismo". Así, enumeramos algunas de las pruebas clave para esta tesis: las versiones del poema Martim Cererê (seis de ellos, a saber: 1927, 1928, 1929, 1932, 1934 y 1936), pruebas (sobre O Brasil no original), el periódico Anhanguera y revistas Novíssima (1923) y S. Paulo (1936). La hipótesis planteada es: una reescritura del poema Martim Cererê - tanto en sus reediciones (reescritura interna) y en otros medios de comunicación (reescrito externo, sería "traducido" y "protegido" por el lenguaje de las revistas y periódicos) - patrocinado la apropiación de "bandeirante mito", dándole singularidad a la redacción de proyecto Cassiano Ricardo y la bandera del movimiento, que sufren de invisibilidad historiográfico. Aún así, este crédito, lo que permite volver a leer la historia bio-intelectual de Cassiano Ricardo, interactúa en una dinámica político-literaria, con el grupo modernista de color verde amarillo, pasando por la ruptura que las huelgas y llegar a otros dos grupos políticos, articulados en la década 1930: el integralismo brasileño y la bandera del Movimiento. La transposición de las declaraciones literarias para el discurso político establece un universo complejo que fue capturado teniendo en cuenta las posiciones de Cassiano Ricardo en diferentes campos intelectuales y habitus compartidas por él. Con esta perspectiva, la lectura de las escrituras ofrece variadas condiciones de entender cómo los símbolos regionales se transfiguró en representaciones nacionales en los momentos de aferrarse política de disputa.

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