Mestrado em História (FH)
URI Permanente para esta coleção
Navegar
Navegando Mestrado em História (FH) por Por Orientador "Almeida, Tiago Santos"
Agora exibindo 1 - 3 de 3
Resultados por página
Opções de Ordenação
Item Negros e mestiços no Pensamento médico de Nina Rodrigues(Universidade Federal de Goiás, 2022-04-13) Pereira, Ana Cláudia Costa; Almeida, Tiago Santos; http://lattes.cnpq.br/9244369639536256; Almeida, Tiago Santos; Edler, Flávio Coelho; Salomon, Marlon JeisonCette recherche analyse l’activité et la production scientifique du médecin Raimundo Nina Rodrigues (1862-1906) du point de vue de l’histoire des sciences, en mettant l’accent sur sa proposition de constitution de la personne noire comme “objet scientifique”. Il s’agit de comprendre comment un “problème” résultant de questions posées à la société à la fin du XIXème siècle, face à la difficulté de définir le peuple brésilien et au souci du destin de la nation, a été légitimé en tant qu’objet et a commencé à être étudié par les disciplines scientifiques auxquelles Nina Rodrigues s’est consacrée et qu’il a aidées à se consolider dans le pays. L’approche théorico-méthodologique de ce travail suit celle de l’historienne Lorraine Daston et ses études d’orientation épistémologique qui aident à montrer l’enracinement historique et social des objets scientifiques, en attirant l’attention sur la recherche des conditions-rationnelles sans doute mais aussi politiques et morales – qui permettent leur naissance et leur mort (le moment où ils cessent d’être reconnus comme objets). Cette approche permettra de comprendre comment le problème social des Noirs au Brésil à la fin du XIXème siècle a été traité en tant qu’objet scientifique par Nina Rodrigues sur la base de la théorie biologique de la dégénération et des théories anthropologiques évolutionnistes. Elle permettra également de mettre en évidence les conditions qui, par le passé, ont permis de considérer comme vrais certains objets, certaines méthodes et conclusions de Nina Rodrigues aujourd’hui reconnus comme épistémologiquement fragiles ou même tout simplement faux, voire dangereux. À partir des catégories du normal, de l’anormal et du pathologique, analysées par Georges Canguilhem et Michel Foucault, nous examinons l’œuvre de Nina Rodrigues et ses préoccupations relatives à la race sous l’angle de la médecine et du droit pénal. En prenant en considération les études de l’auteur en accord avec les questions posées pour penser la nation, nous en avons conclu qu’il est possible de faire le lien entre ce moment des sciences et des savoirs au Brésil et le processus historique connu sous le nom de normalisation, en restant attentif à ses spécificités temporelles et des caractéristiques sociales.Item O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin(Universidade Federal de Goiás, 2022-11-25) Santos, Michelle Lira Rodrigues; Almeida, Tiago Santos; http://lattes.cnpq.br/9244369639536256; Almeida, Tiago Santos; Vilela, Ana Lucia Oliveira; Souza Neto, Manoel Gustavo deAt the end of the 19th century and the beginning of the 20th century, authors and intellectuals from the philosophical, literary criticism and theory of history constituted an intellectual context in Germany. They were committed to thinking about issues involving the constitution of sciences, knowledge and aesthetics. It was in this environment that Walter Benjamin wrote one of his most complex works of youth, presented as the book Origin of German Tragic Drama. The book presents its hypotheses about the form of tragic drama present in the German Baroque theater, which is characterized by elements of modernity, constituting a historicity. For Benjamin, the concept of origin (Sprung) is a pre- and post-historical one, which in the Baroque period is linked to the constitution of the German nation, the Protestant Reformation, the 30 Years' War and the Napoleonic invasions. Therefore, considering the fractures caused by these events, the Baroque could not be thought of as a continuation of the Renaissance or of Greek tragedies for the consolidation of German culture in the way that intellectuals in Benjamin's context claimed. Therefore, we will seek in the study Origin of German Tragic Drama to understand how Benjamin used and analyzed the role of aesthetics to think about the theory of knowledge of history that dialogued with his contemporaries. We will thus discuss methodological and scientific issues from the debate on: Origin, method and knowledge, which will allow us to affirm that the tension between the aesthetic and the historical is constitutive of a modern time.Item Da História enquanto objeto de investigação à filosofia histórica experimental em Friedrich Nietzsche: conexões entre II Consideração extemporânea e humano, demasiado humano(Universidade Federal de Goiás, 2021-03-26) Vieira, Maria de Fátima Batista; Almeida, Tiago Santos; http://lattes.cnpq.br/9244369639536256; Almeida, Tiago Santos; Salomon, Marlon Jeison; Santana, Kleverton BacelarIt is intended to discuss here the utilities applied to historical knowledge through Friedrich Nietzsche's Second Untimely Meditation (1874) and Human, All Too Human (1878). An intentional displacement is pointed out in order to achieve two common objectives: the positivization of life and the engagement against metaphysics. Both works will be taken as central to observing the shift in the use of historical knowledge. In the first work, history is employed to support a critique of the utilities and disadvantages of its present form. It thus acts as a kind of diagnosis about the present, an age in which culture suffered from a historical disease due to the overuse of historical science and of the modes of philosophies of history. A displacement, or shift of interest, takes place at a time when influences such as those of Schopenhauer and Wagner, taken as examples and relevant figures for the writing of Nietzsche's early works, began to be confronted by him. This change is noticeable in Human, All Too Human, in which Nietzsche treats historical sense as essential for the construction of what he called historical philosophy, and whose lack is a hereditary fault of philosophers. Finally, an embryonic project is perceived - of what Nietzsche later called genealogy - in which Nietzsche contest, more sharply, the roots of moral metaphysics through the usefulness of history and the dialogue with the sciences.