Programa de Pós-graduação em Performances Culturais

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Navegando Programa de Pós-graduação em Performances Culturais por Por Orientador "Camargo, Goiandira de Fátima Ortiz de"

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    O entre-lugar das performances culturais nas sessões de cinema na cidade de Goyaz de 1909 a 1937
    (Universidade Federal de Goiás, 2019-09-09) Lima, Lázaro Ribeiro de; Camargo, Goiandira de Fátima Ortiz de; http://lattes.cnpq.br/3029764057965151; Camargo, Goiandira de Fátima Ortiz de; Abdala Junior, Roberto; Silva, Neemias Oliveira da; Siqueira, Ebe Maria de Lima; Tamaso, Isabela Maria
    The present research aims to safeguard the memories of the first cinemas of the State of Goiás, inaugurated in the then capital city of Goyaz, between 1909 and 1937. During this period the capital counted on the following Cinema Theaters: São Joaquim, Goyano, Luzo Brasileiro, Iris, Ideal and Progress. We emphasize among the numerous cultural performances brought to the stages of these amusement houses the orchestras that made the live sounding below the screen of projection. In addition to these moments during the exhibitions, the audience still had performances by several artists between one projection and another, among which we highlight the young singer Santinha Marques who from the transfer of the capital went to the great centers of the country in search of visibility and performance. We seek to establish a dialogue between history, cinema and cultural performances for the development of this research. We will use documents from the collections of the Frei Simão Dorvi Foundation, Lyceu de Goyaz, Culture Point Image of Memory, among others. The methodology to be used is analytical, theoretical, critical and interpretive. This study also covers the reading and analysis of catalogs of films exhibited at the time, the records that the local and national press left about this period and photographs of the historical and personal collection of Vilabian families. He will be supported by the theoreticians: Richard Shechner (2012), Zeca Ligiéro (2006), Jorge Glusberg (2011), Jörn Rüsen (2015), Ecléa Bosi (2003), Belkiss Spencière Carneiro de Mendonça (1981) and others.
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    A performance da subjetividade lírica na poesia de Edival Lourenço
    (Universidade Federal de Goiás, 2021-07-05) Tavares, Valéria Alves Correia; Camargo, Goiandira de Fátima Ortiz de; http://lattes.cnpq.br/3029764057965151; Camargo, Goiandira de Fátima Ortiz de; Souza, Jamesson Buarque de; David, Nismária Alves; Pinto, Divino José; Christino, Daniel
    The thesis Performance of lyrical subjectivity in the poetry of Edival Lourenço introduces perspectives and analyses on performance experiences from the point of view of the poetic work of Edival Lourenço, a writer from the state of Goiás. Standing out in both the regional and national literary scene, the author is recognized for his production ranging journalism, prose and poetry. The work Poesia Reunida (2014), corpus of this research, is here analyzed in the scope of textual elements that indicate the underlying performance in the poem and how these elements allow the performance act of the lyrical subject. The investigation also encompassed the author’s poetry in the scope of the lyrical subjectivity expressed in this poems based on an approach focused on reader’s performance. Therefore, the work chosen to be the corpus of this research provided elements that, under analysis, indicate the performance viability of Lourenço’s poetry and how such elements could interfere on reader’s subjective reception. Furthermore, based on a critical approach, it is identified how the performance adopted in Lourenço’s poem possibly guide us through the poet’s perception of awareness, who finds himself pointing to these textual elements and manages to show the reader the manifestation of his language. Our reflections on Lourenço’s poetry and performance talent are grounded on the study of Reception Aesthetics, a branch of Literary Theory that seeks to understand the role and function of the reader as an active participant in the reading process. Such approach highlights the theoretical postulates of Paul Zumthor (1993, 2005, 2010, 2014), Wolfgang Iser (1979, 1999), Hans Robert Jauss (1979, 1994), Umberto Eco (2002, 2015), Richard Bauman (2006, 2009), and Richard Schechner (1985, 2011a, 2011b), among other scholars.