Programa de Pós-graduação em Filosofia

URI Permanente desta comunidade

http://200.137.215.59/tede/handle/tde/273

Navegar

Navegando Programa de Pós-graduação em Filosofia por Por Orientador "Damião, Carla Milani"

Agora exibindo 1 - 4 de 4
  • Nenhuma Miniatura disponível
    Item
    O lugar da arte no mundo da técnica - aproximações e distanciamentos entre arte e técnica no pensamento de Martin Heidegger
    (Universidade Federal de Goiás, 2020-08-04) Castro, Leidiane Coimbra de Lima; Damião, Carla Milani; http://lattes.cnpq.br/2366404598683251; Damião, Carla Milani; Duarte, Irene Filomena Borges; Pádua, Lígia Teresa Saramago; Sombra, Laurenio Leite; Almeida, Fábio Ferreira de
    Ge-stell is described by Martin Heidegger as the essence of modern technology. Contemporarily, it stands quite distinctively from the instrumental and anthropological relationship involved in the daily chores or in the day-to-day labor with technological objects. As a manifestation of being, Ge-stell offers man another possibility of being-in-the-world. He realizes his technological way of being from the attunement (Stimmung) he can achieve in his new disposition (Befindlichkeit). Characterized by limiting its possibilities to a single way of being - particularly as calculative thinking is inherent to Ge-stell, the technological way of being prevents man from reasoning on what constitutes his self: the openness for ways of being. Heidegger suggests thinking about technology within the limits of art as an alternative to reasoning on the opening of possibilities that compose the human existence. The relationship between technology and art, however, is built upon the tensions on which one can establish proximity and distance between them. This is possible because both are types of disclosure (alétheia), of creation and disposition (Befindlichkeit). If, on the one hand, art discloses the world, on the other, technology does the same. If the former opens up man’s ways of being, the latter does likewise. Unquestionably both reveal beings through their creations. However, the world, the disposition and the beings disclosed by both, present themselves in a complete distinctive way. This reasoning leads this thesis to address both types of disclosure (alétheia), and the way man experiences the world through them.
  • Nenhuma Miniatura disponível
    Item
    A exigência política do despertar: escrita, política e revolução em Walter Benjamin
    (Universidade Federal de Goiás, 2021-07-23) Costa, Gilmário Guerreiro da; Damião, Carla Milani; http://lattes.cnpq.br/2366404598683251; Damião, Carla Milani; Aquino, João Emiliano Fortaleza de; Vieira, Rafael Barros; Machado, Francisco de Ambrosis Pinheiro; Palhares, Taisa Helena Pascale
    The concept of revolution in Walter Benjamin´s philosophy has received meaningful reformulations from 1925 on, when his approach of Marxism became increasingly more systematic. In several works from the period, one can distinguish an interest in examining the reasons and possibilities of overcoming the capitalist mode of production and in discerning the means of confronting fascism. The works that he dedicated to the problem of revolution situates in this concrete historical horizon. In this regard, his investigations deal with the need for overcoming the dreamlike character inherited from the 19th century, which implies giving the theme of awakening a specific critical character, especially in his essays on aesthetics and politics. Coherently, he refuses any mechanistic formulations, mainly those that arose in the time of the Second International Socialist, responsible for stressing the dynamics of the objective forces to such an extent that they did leave no significant space for the revolutionary praxis strictly speaking. Benjamin thus moves forward in the philosophy of praxis and class struggle horizon, which give him the necessary themes and justification for a radical critic of bourgeoise society. Such presuppositions underly the Benjaminian concepts of writing and history, which structure, each of them, the two parts of our thesis. They emphasise the tension existing in this thought, between examining the possibilities of overcoming capitalism and remembering the ruins of the current catastrophe. Our purpose in this research is to understand and to explain this critical activity.
  • Nenhuma Miniatura disponível
    Item
    Os rastros de uma travessia: a filosofia da (na) apresentação
    (Universidade Federal de Goiás, 2017-08-28) Santos, Mariana Andrade; Damião, Carla Milani; http://lattes.cnpq.br/2366404598683251; Damião, Carla Milani; Chaves, Ernani Pinheiro; Machado, Francisco de Ambrosis Pinheiro
    The present research proposes an investigation on the question of “presentation” [Darstellung] in the philosophical discourse. Walter Benjamin highlights the centrality of the presentation in the construction of philosophical thought, notably in the “Epistemo-Critcal Prologue” of his work The Origin of German Tragic Drama [Ursprung des deutschen Trauerspiels] written in 1925. The importance conferred by the philosopher on the issue of presentation is related to how Benjamin constructs his philosophy from a rescue of the linguistic essence of philosophical thought: for Benjamin, philosophical thinking is elaborated within language as a practice of the form in presentation. When we consider the deep relationship between thought and language as the starting point for philosophizing, the form of presentation carries out an indispensable reflexive movement in the configuration of philosophical thought. In this sense, the questions of philosophical writing become fundamental and, in turn, lead to the thresholds between philosophy and literature. The question of presentation characterizes the way in which the philosopher understands philosophical practice, philosophy as the practice of presentation claims the historical and linguistic nature of philosophical thought, and requires that philosophical thought should be attentive to the historicity of language and the materiality of words. The presentation as a main characteristic of philosophy points out, through Benjamin, the possibility of a different way in philosophy from that one traced by the tradition of the philosophy of representation. For this reason, we propose a course to show the opposed sense of presentation [Darstellung] and representation [Vorstellung], as necessary in the attempt to comprehend the question of presentation in Benjamin. Thus, we argue, throughout this thesis, how presentation operates a defense of the linguistic character of philosophical thought, as well as a rehabilitation of the historical and aesthetic dimensions in philosophy.
  • Nenhuma Miniatura disponível
    Item
    Da cultura afirmativa à dessublimação repressiva: a dialética da sublimação em Herbert Marcuse
    (Universidade Federal de Goiás, 2023-11-29) Schang, Renata Aparecida Martinussi; Almeida, Fábio Ferreira de; http://lattes.cnpq.br/3543790024810464; Damião, Carla Milani; http://lattes.cnpq.br/2366404598683251; Almeida, Fabio Ferreira de; Oliveira, Robespierre de; Kangussu, Imaculada Maria Guimarães
    This work is dedicated to the dialectic of sublimation present in the work of Herbert Marcuse. This project is carried out through the so-called Freudo-Marxism, whose trajectory is considered here in three typical steps of dialectical materialism. The first step highlights the separation between art and the material conditions of existence, from Antiquity to the transcendent character of the affirmative culture of the 19th century. The second step introduces Freudo-Marxism and, through it, Marcuse's attempt to improve the Marxist program by locating possibilities for emancipation in the instinctual and sensitive spheres, as well as presenting his project for a self-sublimation of sexuality. The third step shows how the repressive desublimation of culture and sexuality has weakened the sensitive functions of the human being and compromised the political objective of happiness under the laws of the performance principle.