Programa de Pós-graduação em Arte e Cultura Visual
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Navegando Programa de Pós-graduação em Arte e Cultura Visual por Por Área do CNPQ "CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES::CRITICA DA ARTE"
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Item Visita ao museu de pedra: o Cemitério da Saudade de Campinas - SP(Universidade Federal de Goiás, 2008-11-04) ELUSTA, Halima Alves de Lima; BORGES, Maria Elizia; http://lattes.cnpq.br/0672444382021221The Saudade Cemetery, in Campinas, Brazil, is considered na open-sky museum for burial monuments that represents and materialize the relation man death in this city. The main goal of the present research is to show the transformations after the death secularization in the city, since 1881, when the cemetery was founded till the 1950 s decade. The transformations occurred during this period are here represented by statuary, tombs and monuments elaborated by Giuoseppe Tomagnini, Vélez Family, V. Lazzeri, Rosada Family, Coluccini Brothers and Camillo dos Santos. Those artist-artisans responsible for that buildings were influenced by stylistic of the European funerary art, such as neoclassic and eclectic architecture, art nouveau, art déco and modern to attend to the local citizen needs in order to preserve their memory. The burial buildings found in the Saudade Cemitery, besides a local for reflection and memory, can be considered significant part of Historical and Cultural Patrimony of CampinasItem Construções, desconstruções e reconstruções: histórias do grafite contemporâneo goianiense(Universidade Federal de Goiás, 2010-07-02) TAVARES, Jordana Falcão; BORGES, Maria Elizia; http://lattes.cnpq.br/0672444382021221This research, linked to the research line Theory, History and Criticism of Art and the Image of the Graduate Program in Visual Culture, is based on proposals of the Image of History to discuss the graphite in Goiânia nowadays. It is a job search support in post-modern theorys, adopting a qualitative research methodology as effected through interviews with social actors participating in the Goiânias s 2000 graffiti scene. Based on the Social History, which allows other versions of the facts that not only the official version, it brings an explanation about the history of graffiti showing that several political constructions, social and cultural rights were erected to their surroundings, since its inception until his passer contemporary according to changing interests. The history of contemporary image goianiense graphite itself consists of speeches from supporters of the practice. At its meetings, the interviewees discussed the meanings they attach to the images they produce, revealed positions, motivations, expectations and reflections. The statements were the raw material for discussions about the social role of graphite, its dialogue with the market and what lies behind the images produced. This work is thus a version of history composed by the opinions of each participant interwoven to show not only one truth, but the possibility of multiple viewpoints on the subject.