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Item A colonização militar no sertão de Amaro Leite: presídio de Santa Cruz, 1854-1864(Universidade Federal de Goiás, 2024-05-08) Almeida, Maria Juliana de Freitas; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Almeida, Maria Regina Celestino de; Kodama, Kaori; Araújo, Ordália Cristina Gonçalves; Magalhães, Sônia Maria deThis thesis addresses the theme of the Military Colonization Project. The study of this project, implemented in several Brazilian provinces, including the province of Goiás, from the second half of the 19th century, aims to contribute to the historical knowledge of territorial and human conquest undertaken in Brazilian inland regions where colonization was incomplete or not yet established. The research focuses on the Santa Cruz Prison in the Sertão de Amaro Leite, with a timeframe that covers the years 1854 to 1864. This period encompasses the foundation of the prison until its transfer to the Jurupensen Port, on the banks of the Rio Vermelho, near the City of Goiás. The research aims to examine the Military Colonization Project, contextualizing its political and economic motivations, as well as analyzing its implementation in the province of Goiás, including the strategies and challenges faced. It seeks to investigate the social, political, and economic transformations resulting from the project's implementation in the Sertão de Amaro Leite region, considering its impact on the social structure and regional economy. The understanding of the relationships between the military settlers and the local population, especially the Indigenous peoples, as well as the analysis of the living conditions of the colonial prison's inhabitants, are also highlighted. The research addresses the emerging social dynamics and the strategies of coexistence and resistance adopted by the various groups involved, and the impacts of this territorial occupation policy on the Avá-Canoeiro Indigenous people, in the face of the changes caused by the colonization project. With this investigation, we hope to reflect on the history of Goiás from the perspective of the prison's inhabitants, who were both victims and protagonists of the historical scene. Our research adopted an approach that combines documentary analysis and literature review. The records were examined through quantitative analysis, including statistical data treatment. Simultaneously, we conducted a qualitative analysis aiming to understand the daily life of the colonizing institution through a process of reconstruction, representation, and comparison. The establishment of military prisons in the Sertão de Amaro Leite allowed the imperial government to have greater control over the region, as well as enabling the expansion of the non-Indigenous population in the area. The analysis of the Santa Cruz Prison reveals the multiple facets of the Military Colonization Project. While the imperial government achieved its objectives due to the increase in the non-Indigenous population and the implementation of roads and paths, the residents also experienced benefits such as strengthened security and stimulated trade. However, for the Indigenous peoples, especially the Avá-Canoeiro, the consequences were disastrous, resulting in drastic changes in their way of life and the loss of lives and territories. Through the study of the Santa Cruz Prison, we can understand the complexity and varied impacts of the military colonization project for Brazil. This deeper understanding not only enriches our knowledge of the past but also allows us to reflect on current issues related to colonization, Indigenous rights, and regional development.Item Materialidade Imaterial: a consciência histórica nos tempos da quarta revolução industrial(Universidade Federal de Goiás, 2024-04-18) Cavalcante, Vitor Valente; Silva, Luiz Sérgio Duarte da; http://lattes.cnpq.br/4317054127961589; Silva, Luiz Sérgio Duarte da; Guimarães, Juarez Rocha; Sugizaki, Eduardo; Teixeira, Rafael Saddi; Pinho, Thiago de AraújoFaced with the dizzying, despite incipient, fourth industrial revolution and the role that consciousness quickly acquires as the nucleus and pacemaker of all circles produced in countries with some level of industrialization, we sought a materialist approach to consciousness that could contribute to understanding and action in current capitalism. To do so, we start from the Marxian conception of consciousness as a social product, which he sought to elaborate based on an open dialectical logic that could demonstrate the materiality of the human spirit. Along the way, we seek to show how the interdiction of dialectics, whether through its dogmatization or its prohibition, in addition to distorting Marx's contribution to a materialist understanding of consciousness, helped to absolutize the meaning given to history by a high-tech monopolistic financialized capitalism, notably from the 1970s onwards. Finally, we carried out a historical analysis of the advancement of this new emerging mode of production, based on the elements of this materialist ontology, recovered and developed through the issue of immaterial materialityItem Diogo do Couto (1542-1616), cronista e guarda-mor da casa do Tombo de Goa, e a interpretação sobre a possibilidade de sobrevivência do Estado Português da Índia(Universidade Federal de Goiás, 2024-12-16) Marinho, Elby Aguiar; Santos, Dulce Oliveira Amarante dos; http://lattes.cnpq.br/2317207486041256; Santos, Dulce Oliveira Amarante dos; França, Jean Marcel Carvalho; Silva, André Costa Aciole da; Gonçalves, Ana Teresa Marques; Nascimento, Renata Cristina SousaDiogo do Couto (1542-1616) was a Portuguese chronicler who, in his early years, lived at the court of Infante D. Luís (1506-1555). During this time, he began his studies and witnessed what he considered to be “times of glory.” However, most of his life was spent in the Portuguese State of India, where he held various positions—ranging from soldier to chief keeper of the Tombo of Goa and official chronicler of the deeds in Asia—discussed in his Décadas. Among the key characteristics of his writing are the denunciations regarding the disorderly conduct of the Portuguese and the "abandonment of India," which he believed posed a serious threat to the empire’s stability, already weakened by the rise of other powers both from Asia and Europe.It is at this point that he gains an important characteristic: having lived in Asia for years, Diogo do Couto suggested actions that should be taken by the authorities to save the State of India.Among many reflections, specific points stand out: the defense of a powerful fleet at sea, the maintenance of strategic fortresses, and the upkeep of peaceful relations with the Eastern peoples who were their neighbors and engaged in the rich spice trade. These should be the central focus of the reorganization of the State of India. This would ensure the continued Portuguese presence in AsiaItem Feitiço e agenciamento: o terecô de Codó-MA e o campo religioso afro-brasileiro(Universidade Federal de Goiás, 2024-04-08) Nunes, Victor Hugo Basilio; Rocha, Leandro Mendes; http://lattes.cnpq.br/4966746368315442; Rocha, Leandro Mendes; Nogueira, Léo Carrer; Capel, Heloisa Selma Fernandes; Silva, Mary Anne VieiraThis work addresses – based on anthropological literature and diaries produced during fieldwork – how terecô, the name given to the encantaria of Codó-MA, has been represented in the field of studies on afro-brazilian religions. The construction of the theme, from an anthropological point of view, demonstrates the representations that were created about the supernatural powers of the Codó region as the “capital da macumba” and land of great sorcerers. In developing this thesis, the spell is seen as an opposition to the paradigm of ritual purity, as an element in the market for religious goods and as a mischaracterization of jeje-yoruba traditions. In afro-brazilian cults, diversity and agency counterpointed these ideas of purity in the most different traditions. Even cyberspace serves the terecô agency, through channels on the YouTube platform, which reinforce the spell, the intense sociability between the different tents and the doctrines of this Codoense tradition. Terecô, therefore, by associating traditionality with spells, determines its place in the field of afro-brazilian religions.Item Defender a ordem desordenando: o povo como sujeito da história e a questão do decoro na História Geral da Invasão dos Franceses de José Acúrsio das Neves (1810-1811)(Universidade Federal de Goiás, 2024-10-18) Oliveira Júnior, José Alves de; Salomon, Raquel Machado Gonçalves Campos; http://lattes.cnpq.br/2245138184521600; Salomon, Raquel Machado Gonçalves Campos; Neves, Lúcia Maria Bastos Pereira das; Sá Júnior, Luiz César de; Vojniak, Fernando; Sinkevisque, EduardoThe aim of this thesis is to analyze the representation of the people in the História Geral da Invasão dos Franceses (1810-1811) by José Acúrsio das Neves (1766-1834) and its effects on the representation of the hierarchical order of the Old Regime. Considering that the emergence of the people in the historian's political-military account is, above all, a modification in the seventeenth and eighteenth century ways of representing war in history. Such changes meant subversions in the decorum of historical art in its representation of the war event. In the 17th century, the writing of history was subject to the precepts of ancient rhetoric, with the idea of decorum as the basic premise for the selection and representation of themes in the narrative. Decorum established specific modes of treatment according to genres and hierarchies, determining appropriate rhetorical places for noble and common characters. Through this rhetorical procedure, military heroes, or “greats,” figured as central subjects in the accounts of the Restoration of 1640, because they were considered to lead the relevant events in politics and war and decide the fate of society. The writing of military history expressed its commitment to a certain conception of history and to the sharing of the sensible (Jacques Rancière) of that community. In the historiographical work of Acúrsio das Neves, the 17th-century staging of the war would be compromised by the subversion of decorum and the change in the discourse about the people, who were understood as the third estate or plebs. The transformation of the people into a theme or subject in the history of the Restoration of 1808 caused contradictions and disorders in the representative logic of society. By modifying the criteria for evaluating heroism, Acúrsio das Neves altered the relationship between the writing of history and the hierarchical constitution of the community, between the effects of words and the distribution of social bodies.Item História das casas de Goiânia, de 1930 a 1950: as faces contínuas e descontínuas do morar “erudito moderno” e do “morar ordinário”(Universidade Federal de Goiás, 2023-10-26) Oliveira, Simone Borges Camargo de; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Arrais , Cristiano Pereira Alencar; Boaventura, Deusa Maria Rodrigues; Peixoto, Elane Ribeiro; Langaro, Jiani Fernando; Menezes, Marcos Antônio deThis thesis emanates from a personal interest concerning human habitation, the locus of the “everyday experience of mankind”. It concentrates on concepts of "domicile," the "residence," and the act of "dwelling" – the commonplace inhabitation of the ordinary individual – together with the erudite inhabitation within the city of Goiania. The time frame is set between the 1930s and 1950s, in addition to studies up to the present time. Regarding the thesis relevance, despite previous meaningful work, goianiense historiography needs studies focusing on housing, the act of "dwelling” and new perspectives on habitation such as the one I am proposing. I intend to identify different social groups and the places of occupation of common “ordinary” houses – the segregated, informal city - and the erudite residences within the planned urban setting – the formal city. The dissertation is structured into three chapters. The first is dedicated to considerations that establish the theoretical foundation upon which the thesis is composed. The second has three sections: The initial one centers on the rhetorical discourse that legitimizes the capital shift. The second comments on the different aspects of the three plans within Goiania from 1933 to 1938, highlighting the correlation between dwelling typologies, territorial space, and its use, to understand the establishment of place and social group arrangements. The last one describes the typologies and architectural languages of public buildings and erudite houses built by the government for employees in the Central District, popular houses in the North District, and the ones built by private individuals. In addition, clarify the definition and classification of “Casas-Tipo”. The last chapter addresses ordinary common house considering modern city segregation. Furthermore, presents case studies from various locales to identify social groups and dwellings with discernible remnants in: Campinas, Worker’s Village-Campinas; the banks of Córrego Botafogo - Bota Fogo de Baixo (Vila Nova and Nova Vila Districs), East region; banks of Córrego Capim Puba, Northern Railway District. In writing the narrative, I developed numerous interpretative possibilities that unfold unexplored paths about the historiography of distinct modes of habitation among the residents of Goiania. To achieve this, I examined conceptual frameworks and documentary sources, where I encountered many publications concerning “erudite” residences. However, a comparable depth of information on popular houses, common individuals, and their ancestral knowledge is notably absent. I walk through several locations in the city searching for evidence of the common men, committing to deconstruct Goiás historiography to rebuild it. To achieve this, a specific methodology for this thesis is needed. Therefore, I conduct quasi-archaeological work by confronting primary imagery sources with primary written sources and the small signs left by these documents. I create mosaics and thus discover locations, types of buildings, and social groups. By this, I formulate four distinct study methodologies to identify the traces, the small gaps, which is the solution found for the process of collating the set of information that was obtained throughout the researchItem Civilizar, higienizar, disciplinar: imagens republicanas na Escola de Aprendizes e Artífices da Cidade de Goiás (1909-1937)(Universidade Federal de Goiás, 2024-07-03) Pires, Mauro Alves; Capel, Heloisa Selma Fernandes; http://lattes.cnpq.br/0202627724737454; Capel, Heloisa Selma Fernandes; Mota, Maria Antônia da Silva; Caixeta, Vera Lúcia; Borges, Mônica Veloso; Magalhães, Sônia Maria deThe research investigates the instituting images that cohere and legitimize professional education in Goiás in the first half of the twentieth century. It focuses on the formation of the institutional imaginary of modernity in the public professional education. In it, the ideals of modernity interpret the past, plan the future and legitimize themselves in specific policies in the educational field. The institutional imaginary produces representations and practices marked by rationality and the disciplining of the bodies, has marks in the school building and are reinforced by institutional rites and images. The time frame of the research goes from the creation of the Escola de Aprendizes Artífices in the city of Goiás (1910), to the period of its transfer, during the change of the capital to Goiânia (1942). The doctoral thesis intends to deepen the research and focus on the Escola de Aprendizes e Artífices da Cidade de Goiás, an institution that, due to its singularities in terms of learning, harbored sociabilities that allow us to investigate the political disputes, the social base of the students and the educational projects in dispute in Goiás at the beginning of the 20th century. The period in focus (1910-1942) is of outstanding importance and significance to unveil the origins of professional education and its evolution in Brazil, based on public policies aimed at building the foundation of a modern labor society. The creation of the Apprenticeship School of Goiás and the ones in other states of the new Republic, took place at a time when there was an effort to overcome old representations about work, about childhood and youth. The purpose of the Republic in creating a school for the children of the “underprivileged of the estate” was ordered by a rationale and by the desire to build a labor intensive and disciplined citizenry. Thus the School of Apprentice Artisans used disciplinary training as a strategy to mold the ideal worker for the Republic. "Morally and materially abandoned," these students were categorized as vagrants, beggars, delinquents, and derelicts. The thesis works with the hypothesis that the instituting imaginary of the Republic articulated the principles of the “new” with the educational perspective, considering, under the motto of civilization, hygienism and disciplinarism, the apprentice and artisan schools as privileged spaces to train and professionalize the socially excludedItem Golpes de Tarantino: cinema, história e Deleuze para uma crítica especializada(Universidade Federal de Goiás, 2024-02-29) Queiroz, Filipe Artur de Sousa; Silva, Luiz Sérgio Duarte da; http://lattes.cnpq.br/4317054127961589; Silva, Luiz Sérgio Duarte da; Borges, Rafael Gonçalves; Guéron, Rodrigo; Abdala Junior, Roberto; Gomes, Ivan LimaDepth of field is one of the instruments of cinematographic narrative that explains the existence of layers of interpretations of time, in the past, present and future. The location and articulation of these layers is one of the tasks of the theory of history. This is a thesis about depth of field in reflecting on the tension between historical and cinematic narrative. Seeking to explore the potential of historical narrative, more specifically its theoretical-historical dimension, this work assumes theory as a relevant component for the production of historical knowledge. By choosing the historical narrative as an object of reflection, the medium chosen for this endeavor is the cinematographic narrative, with a special focus on the work of Quentin Tarantino. The method adopted to link these two domains lies in examining the relationship between cinema and history. From this starting point, the central problem emerges: the tension between visual narrative (cinema) and historical narrative (history). To adequately address this issue, a specialized critique was developed that explores the intersection of these two operations, based on the image typology derived from Gilles Deleuze's cinematic semiotics.Item Um modo de ver moderno/colonial: natureza, raça e a dimensão visual da colonialidade nos filmes de John Ford (1939 – 1964)(Universidade Federal de Goiás, 2024-03-27) Reis, Lucas Henrique dos; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Santiago Júnior, Francisco; Name, Leo; Spini , Ana Paula; Capel, Heloísa Selma FernandesConsidering vision as a historical and cultural experience, the aim of this thesis is to analyze the characteristics of a specific modern/colonial way of seeing. The proposal is to identify and examine the visual dimension of modernity/coloniality, the coloniality of seeing, and understand how this visual experience is constructed. To do so, cinema is chosen not as a mere support, but as an integral part of the mechanism of coloniality. In order to carry out our analysis, it was examined a group of American Western films directed by John Ford (1894-1973) using film and dialogue analysis methodology along with other groups of images, such as photographs, paintings, and cinema magazines. Western films are mostly stories that romanticize the process of conquest and colonization of what is now the West of the United States. For this thesis, the selected films constitute only a sample of Ford's filmography; they are: “Stagecoach” (1939), “My Darling Clementine” (1946), “Fort Apache” (1948), “She Wore a Yellow Ribbon” (1949), “Rio Grande” (1950), “The Searchers” (1956), “Sergeant Rutledge” (1960), and “Cheyenne Autumn” (1964). Through the choosen films, the analysis addressed categories such as nature, landscape, race, and whiteness, as well as notions of point of view, visuality, and vision — the latter being an important element in the discourse of modern science and important to understand how films participate in the constitution of this modern/colonial way of seeing. In the research, it was identified that this way of seeing is, among other things, anthropocentric and racist/racializing. Furthermore, the work also sought to relate this modern/colonial way of seeing with indigenous perspectives, aiming to propose a decolonial alternative to the coloniality of seeing, not only through the production of new images but also through new experiences of vision and spectatorship.Item Política, emoções e gênero na literatura fantástica e de ficção científica de autoras brasileiras (1899-1954)(Universidade Federal de Goiás, 2024-03-21) Santos, Danielle Silva Moreira dos; Santos, Ana Carolina Eiras Coelho dos; http://lattes.cnpq.br/6593268782293837; Soares, Ana Carolina Eiras Coelho; Ferreira, Tânia Maria Tavares Bessone da Cruz; Wolff, Cristina Scheibe; Ribeiro, Maria do Espírito Santo Rosa Cavalcante; Fredrigo, Fabiana de SouzaRejected by both historiography and "canonical" literature, various female writers and intellectuals remained on the fringes of history. However, this silence has been progressively broken due to gender studies, which have brought to light perspectives and figures previously obscured in the traditional historical narrative. By engaging in writing, reflecting, and dialoguing with the society of their times, many women have demonstrated their presence and political action, despite the historical reluctance to recognize them as political subjects or writers. Among them, names from the fantastic literature in Brazil such as Emília de Freitas, author of "A Rainha do Ignoto" (1899), Adalzira Bittencourt, who wrote "A presidente da República no Ano de 2500" (1929), and Ada Curado, with "O sonho do pracinha" (1954), challenged the literary canon with narratives that propose alternative realities marked by equality and female leadership across different regions of Brazil. From their worldviews, they produced stories where utopia and emotions merge into acts of political resistance. This thesis aims to analyze the construction of a political pedagogy of emotions through fantastic literature by female authors and periodical press in Republican Brazil between the late 19th and early 20th centuries, establishing a dialogue with theorists of gender and emotions.Item A historiografia do Instituto Histórico e Geográfico Brasileiro no segundo reinado em revista (1839-1870)(Universidade Federal de Goiás, 2022-12-05) Teixeira, Cristhiano dos Santos; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Arrais, Cristiano Pereira Alencar; Salomon, Marlon Jeizon; Mendes, Breno; Araújo, Karina Anhezini de; Bentivóglio, Julio CésarThis research on historiography in the “Magazine of the Brazilian Historical and Geographical Institute” (“Institutito Histórico e Geográfico Brasileiro”, IHGB) in the 19th century aimed to analyze from a time frame between 1839 and 1870 having as a problem the main characteristics about the formation of a national historical consciousness in the Brazil. It seeks to understand the values of the country's history, used by the Empire through its representatives-historians who sought to ensure for themselves the national values of this culture in the process of construction. This would be characterized in a way of making a national history, which would emerge with its concepts and conceptions the values of its political culture in the formation of scientific historical knowledge, which could ensure for its present and future a past built from a conception moral about Brazilians. The scientific values of this historical politics, linked to a conception of its political time, were conditioned to search for the moral roots of its culture. What we will notice here is that this knowledge designed the construction of a national identity for Brazil in the 19th century. Which was linked to a project that would seek to consolidate for the nation a historiographical tradition that was converted by the logic of national memory. This type of historiographic project was not limited to seeking to consolidate a tradition from a static past, immobilized by its own inefficiency, but, above all, sought to consolidate it in the sense of building a “live” tradition for its future.