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Item A dinâmica de ocupação provocada pela expansão urbana ao longo das rodovias GO-020 e BR-153 em Goiânia/GO(Universidade Federal de Goiás, 2023-08-24) Di Simoni, Thais Valle; Kallas, Luana Miranda Esper; http://lattes.cnpq.br/5020008366113739; Kallas, Luana Miranda Esper; Firkowski, Olga Lúcia Castreghini de Freitas; Schvarsberg, Benny; Cunha, Débora Ferreira daUrban sprawl is a globally prevalent phenomenon in metropolises that has brought about significant transformations in urban territories. Understanding the dynamics and establishing analysis patterns of these processes is crucial for proposing more equitable and sustainable growth guidelines in cities. In Goiânia, it is observed that urban sprawl has led to the occupation of peripheral areas with distinct characteristics in each part of the municipality. Thus, this study proposes an examination of the growth of the city of Goiânia by analyzing the expansion along the BR-153 and GO-020 highways in the Eastern Region, characterized by the massive presence of higher social classes through the construction of gated horizontal condominiums. The objective is to identify urban phenomena and their actors in the spatial production of this region, spatially characterized by conurbation and marginal occupation of highways, extending the dominance of gated communities beyond the municipal limits of Goiânia, reaching Senador Canedo. To achieve this purpose, the study employs documentary analysis, literature review, spatial analysis, statistical data analysis, and field research to identify the expansion pattern and the agents responsible for this production. Thus, it is observed that the metropolization consolidating in this region results from processes such as sprawled and segregated expansion, reinforced by the strong presence of gated communities for middle and high-income residents. This brings about tangible changes in the metropolis' landscape, imprinting distinctive characteristics on the socio-spatial dynamics in this region. Consequently, disparate spaces are produced in the surroundings, leading to the strengthening of conurbation, one of the first expressions of metropolization, which ultimately generates various urban problems.Item A estética do cinema nazista na produção dos sentidos na comunicação política no Brasil(Universidade Federal de Goiás, 2023-11-30) Jimenes, Roberto; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Silva, Thiago Fernando Sant’Anna e; Anjos Neto, João Dantas dos; Carneiro, Rose May; Costa, Marcelo Henrique daThere are many studies that address Nazi Cinema and this had a fundamental role in Hitler's plans, with cinema being the main means of communication used at the time. Several were the cinematographic languages used, however, studying Nazi cinema against the study of visual culture, it is possible to draw a parallel between some points: such as the relationships between visibility (what cinema provides), visuality (the new cinema: entertainment x politics) and power (Nazism), which transform the universe of symbolic understanding among the German population. Is it possible that, when analyzing the images of this cinema, we cannot propose a counter-visuality, if we consider its aesthetics associated with a new analysis of the production of meanings. The implications regarding these visual experiences in a society increasingly centered on the meaning of the gaze, and its repercussions even today in the universe of political and governmental communication in Brazil.Item A poesia slam e suas des-margens(Universidade Federal de Goiás, 2023-11-17) Boleão, Jossier Sales; Martins, Alice Fátima; http://lattes.cnpq.br/2768377569632609; Martins, Alice Fátima; Andrade, Emile Cardoso; Santos, Michelle dos; Guimarães, Leda Maria de Barros; Meira, Elinaldo da SilvaThis thesis is an exercise in looking at slam poetry, focusing on the movement in Brazil and making some reflections from the field of Visual Culture. Slam poetry emerged in the early 1980s in the United States and since then has spread to several countries. In Brazil, slam poetry arrived in 2008, the country being one of the references for the quantity and diversity of slam groups spread, in addition to other elements that make up many particularities of each group. The notes made in this text follow the trajectory that begins in the autobiographical path and expands in avenues when finding slam poetry, and understanding it as a poetic act, transfiguring itself into energy of resistance and occupation of seeing, hearing and feeling. The direction in which the thesis is constituted arose from the following questions: what visualities and countervisualities do slammers promote, summon and provoke, from the poems that overflow their bodies? Which narratives mobilize and want to propose? The consequences resulting from these inquiries originate in the investigative work that began in 2019, from the participation in poetic slam battles, in the city of Goiânia, in Goiás and, with the arrival of the covid19 pandemic, the research moved to the competitions that took place in the environment of digital platforms. Given this context, the material that drives the reflections presented here is diverse and comprises various nuances of what already exists in the systematization of slam poetry. That being said, the perspective addressed supported by visual culture covers the dimensions of the poetic act from a pedagogy of slam poetry, from its understanding as cirandas of knowledge anchored in popular education and in the politics of the word, in which the need becomes a voice and the poem becomes the terrain of revolution, since the event in the format of popular assemblies, adding the competitive element between artist poets. In addition, this thesis follows the paths of slam poetry as an insurgency through counterpoetry, in its decolonial exercise, since its aesthetics goes towards the sanación of colonial wounds, having as its power the poetic fabrication of the visual city, without losing the reflections of a pandemic poetics in a regime of denial in Brazil governed by the extreme rightwing, until the year 2022. It finally enters the conditions of this poetic work during longdistance connections by populating digital platforms with poetry and other sensitive exercises. The systematized elements are not intended to show fixed answers, but to point to other perspectives of looking at the slam poetry movement and at artists who reconfigure the scene in everyday life.Item Abordagens das práticas comunitárias em espaços públicos por meio da poesia têxtil(Universidade Federal de Goiás, 2019-08-18) Castañeda Demesa, Itandehuy; Martins, Alice Fátima; http://lattes.cnpq.br/2768377569632609; Martins, Alice Fátima; Santos, Noeli Batista dos; Guimarães, Leda Maria de BarrosThis research addresses some concepts of textile art as a means of manifesting the contemporary collective creative processes of women, youth and the elderly in public spaces, through the events of Mulherio das Letras - Goiás Edition, (2017) and Mulherio das Letras, (2017 ), in João Pessoa, in the state of Paraíba, Brazil. In each of the events, textile poetry was developed through the use of words and textile embroidery, performed mainly by women of different ages. I also reflect on art education and the visual arts, and on some approaches to visual culture in two workshops held in the year (2017), at the Federal Institute of Goiás (IFG) and the Center for Teaching and Applied Research in Education (CEPAE). In these workshops, I developed a creative process with the students, through textile poetry and approaching the production of contemporary local poets through the manual art of embroidery and fabric. In the course of this research, the influence of Visual Culture theories and fieldwork experiences in textile poetry workshops made me think of a personal artistic production that proposes a dialogue with some of the theories addressed in this research and experiences as a researcher and artist. . The research went through several spaces of the cultural and educational artistic circuit of the city of Goiânia and João Pessoa. And this led me to reflect on three significant points for the research 1) The relationship of open public spaces with visual culture, visual arts, textile poetry workshops and violence against women. 2) How do the artistic creative processes generated from public spaces and the learning process and education happen? 3) How research dialogues with personal artistic creative processes and school space. This research has created a plot between theories and experiences that needs to be unraveled in order to understand a little more about the web of connections between visual arts, visual culture and textile art.Item Ações educativas e poéticas visuais contemporâneas: experiências e diálogos na formação de professores/as de artes visuais na modalidade à distância(Universidade Federal de Goiás, 2015-12-10) Cabral, Valéria Fabiane Braga Ferreira; Tourinho, Irene; http://lattes.cnpq.br/0199098726098947; Martins, Raimundo; http://lattes.cnpq.br/1270126774554014; Silva Filho, Raimundo Martins da; Tourinho, Irene Maria Fernandez Silva; Cunha, Susana Rangel Vieira da; Santana, Arão Nogueira Paranaguá de; Martins, Alice FátimaThis research was conducted with 11 students from the Visual Arts Undergraduate Course, Pró-Licenciatura Program, e-learning, at the Visual Arts College – Federal University of Goiás. The data include observations, statements/comments and images posted and gathered during face-to-face meetings, conversation groups, forums discussions and online diary on the digital environment. Two methodological dimensions on the development of practices that stimulate educational experiences outside the formal school environment, although in tune with it. They are proposals developed on Goiânia city’s cultural spaces, among 2009 and 2012, which projected strategies to answer learning/teaching demands not only through digital environments. The second methodological dimension is directed towards the dialogue-oriented inquiry practice that intertwines teacher research and action-research, with a narrative inclined tonic. This inquiry unfolds itself from interests assembled since the undergraduate school, when I used to consider about my own teaching practice, observing how my professional motivations were turning themselves towards the investigative processes, used to and teaching – built during the inquiry process. The analysis focus three points: 1) Appropriation as action form on school practices, boosting pedagogical planning and possibilities of creation; 2) Making/producing as way/attitude on pedagogical spaces, inhabited by feelings and subjectivities, promoting experiences, affecting and provoking behaviors amongst the people involved; 3) Time, space and thinking displacements of a meaning (re)creation for my teaching practice, considering the lived experiences on this e-learning context. An education genre that affected me given its capacity for constitute and expand learning ways established from the experiences with the students in training. A way of apprehending the world, the others and ourselves.Item Ações poéticas urbanas: processos e práticas coletivas, artísticas e pedagógicas(Universidade Federal de Goiás, 2022-11-14) Nogueira, Emilliano Alves de Freitas; Silva, Thiago Fernando Sant’ Anna e; http://lattes.cnpq.br/9735682996647548; Silva, Thiago Fernando Sant’ Anna e; Somma, Fernando Nelson Miranda; Laurentiz, Luiz Carlos de; Guimarães, Leda Maria de Barros; Silva Filho, Raimundo Martins daIn this research, I propose a reflection about collective, artistic and pedagogical processes and practices, having as object of study the production carried out by the Urban Poetic Actions Collective (CAPU), made up by members of the academic community of the Federal University of Goiás - Goiás Campus. I will introduce investigations questioning the reading, apprehension and ways of intervening in the urban space from artistic practices, and the learning processes involved in it, considering the interrelation between art, visual culture, education and architecture and urbanism. The study of urban collective practices in this research intends to articulate art and politics, from these actions investigation and how the pedagogical practice takes place through the experience in art actions in urban space. With a qualitative character, I intend with this work to understand how artistic and educational processes are built, using a/r/tography as a research methodology in the practices of the Urban Poetic Actions Collective, questioning the roles played by me in this process, as an artist, a researcher, a professor and a CAPU member. In the context of Goiás City, six interventions created by the collective will be introduced, producing counter-visualities as questioners of the hegemonic narratives in the city, highlighting the potential of these actions in discussions about memory, heritage and city. From these actions, I will discuss the relations produced between the artistic making and the knowledge that is built from collective creation, covering the paths of conception, production, presentation, mediation and criticism.Item Acqua lumens: luz, movimento, arte e tecnologia(Universidade Federal de Goiás, 2014-06-27) Oliveira, Alana Borges Neves; Franco, Edgar Silveira; http://lattes.cnpq.br/8415486629956081; Franco, Edgar Silveira; Hidelbrand, Hermes Renato; Berardo, Rosa Maria; Chaud, Eliane Maria; Nunes, Fábio OliveiraWe seek to investigate in this research elements and concepts that are present and or in dialogue with our experimental artistic production in Art and Technology. To lift and understand the contexts of creation involving movement and color-light mostly along the history of art and also situate our production in the contemporary art scene. Starting from the language of photography, passing through Kinetic Art and reaching the interactive installations. In this course we rely on the study of the works of many artists and important concepts such as interactivity. Having grounded and assembled this panorama present our creative process. Addressing the choices and changes that occurred during this process we had produced two prototypes, the latter being the final experimental work, titled Acqua lumens. This artwork features moving forms that arise through interaction with the public and are lit by light-color photographs produced between 2007 and 2009. Present and past, individual and collective, chance and programming merge into a single result .Item Advergames e educação da cultura visual: um estudo sobre a noção de juventude em “Mais Fanta, mais diversão”(Universidade Federal de Goiás, 2017-04-26) Tavares, Jordana Falcão; Silva Filho, Raimundo Martins da; http://lattes.cnpq.br/1270126774554014; Silva, Thiago Fernando Sant’anna e; Miranda, Fernando Nelson Somma; Santana, Arão Nogueira Paranaguá de; Ribeiro, José Maria Gonçalves da Silva; Silva Filho, Raimundo Martins daThis investigation, developed between 2013 and 2016, try to understand the concept of youth and its media representation taking as theoretical support reflexions of Visual Culture Education. To perform field work was chosen an artifact that is increasingly present in young's lifes: videogames, specifically, advergames, electronic games designed to promote brands or productsThe field work was planned to allow the interaction of the young participants with the advergame "More Fanta, more fun" and Fanta advertising campaigns in order to examine the understandings builded by the media around the idea of being young. The group was formed by 14 students, aged between 10 and 16 years. They were studied at a public school placed in a peripheral region of Goiânia.They gave opinions about the narratives and characters of the games, as well as about technology, consumption and the notion of youth. The topics discussed at meetings with the group are also the body of this investigation, divided into five chapters. The first chapter presents the reader to the concepts of game and advergame. The second discusses principles that underlie the relationship between games and education. The methodology is described and detailed in the third chapter including fieldwork and a netnography on the virtual space of the games. The concept of youth is addressed and discussed in chapter four. The fifth and final chapter consists of the analysis of the lines of young research staff. It is worth mentioning that the conclusion is an arrangement that took into account the characteristics of the Group of participants, but especially the various changes imposed to the initial planning of the research by changing its course.Item Agricultura urbana e sustentabilidade ambiental das cidades(Universidade Federal de Goiás, 2023-05-31) Azerêdo, David Alves Finotti Camardelli de; Hora, Karla Emmanuela Ribeiro; http://lattes.cnpq.br/6451685640638572; Kallas, Luana Miranda Esper; Silva, Caio Frederico e; Lima, Fabíolla Xavier Rocha FerreiraThe study of urban agriculture has occupied research agendas in recent times. It is justified both by food production and occupation generation, and by aiming at the elaboration of diversified models of urban intervention for the formation of resilient cities in a context of climate change. To reflect on this theme, we start with the following questions: How can urban agriculture contribute to the development of resilient cities? What can the AUP experience in 11 cities tell us about the context of urban planning? In terms of the environment, does urban agriculture contribute to reducing carbon emissions? Therefore, the general objective of this dissertation aimed to understand urban and peri-urban agriculture (UPA) as an environmental resilience strategy in the context of urban planning. The analysis considered UPA practices in eleven cities on different continents, with details for the municipality of Goiânia, state of Goiás. Goiânia has been slowly outlining actions to implement the UPA based on popular and institutionalized practices. Aspects were considered in the analysis, such as: land use, socioenvironmental viability and public policy institutionalization strategies. In terms of the environment, the research explored methodologies for evaluating the reduction of carbon emissions that could be applied to the UPA. The methodology was based on a bibliographic review, documentary research and an exploratory study on the reduction of carbon emissions for the reality of Goiânia. Environmental sustainability was understood as the support capacity, resilience and resistance of ecosystems. The results indicate that, among the 11 cases studied, the multifunctional role of the AUP and its environmental role in cities stand out. Regarding the contribution of urban agriculture in building urban resilience, its partial contribution is verified as a potential action in reducing CO2 emissions due to the shortening of distances during the transport of these foodstuffs. But this measure depends on government regulations and incentives to occur.Item Álbum de Montes Claros (1927). Estudo crítico a partir das fotografias de Serafim Facella (1927-1939)(Universidade Federal de Goiás, 2014-08-25) Nassau, Juçara de Souza; Monteiro, Rosana Horio; http://lattes.cnpq.br/9262982142956906; Monteiro, Rosana Horio; Monteiro, Charles; Oliveira, Adriana Mara Vaz de; De Jesus, Samuel José GilbertThis research investigates the production of cities' photographic albums, made in the late Nineteenth century and the first decades of the Twentieth century in Brazil. We pursue to reflect about the use of photography as propaganda of urban transformations, as social and visual representation through the city albums and the resulting documentation of the city's memory. We study particularly the Album of Montes Claros, city in northern Minas Gerais, produced in 1927, and, through its disassembly, we developed a new version with the inclusion of photographs taken by Serafim Facella (1893-1980) between 1927 and 1939. Therefore, we present a new visual narrative about the city of Montes Claros.Item Análise do desempenho termoenergético de escolas públicas segundo aplicação do RTQ-C para a envoltória(Universidade Federal de Goiás, 2016-03-31) Paulse, Pablo de Caldas; Rosa, Érico Naves; http://lattes.cnpq.br/8563679469245743; Rosa, Érico Naves; Hora, Karla Emmanuela Ribeiro; Brandstetter, Maria Carolina Gomes de OliveiraThe search for buildings with better energy performance has been the subject of several studies, due to the energy crisis that Brazil and the world are facing and the need for a more sustainable solution for buildings. In this context, this thesis presented the analysis of the envelope (vertical walls and roof) of a school building whose purpose is to optimize its thermoenergetic performance and the achievement of higher levels of indoor thermal comfort for its users. The object of study was a standard building for classrooms of public schools in the city of Goiania–GO, whose dimensions and spatial characteristics have not been changed significantly; the analysis focusing only the building components that characterize its envelope. The thermoenergetic assessment of the proposed building was based on the Quality of Technical Regulation Methodology for Energy Efficiency of Commercial Buildings, Services and Public - RTQ-C of the Brazilian Labeling Program in Buildings (PBE Edifica), which establishes parameters for the classification of energy performance through the National Energy Conservation Label (ENCE). For this purpose, analysis were carried out of the building envelope according to the prescriptive method, based on calculations and parameters pre-set by the Regulation, and on computer simulations carried out by creating scenarios using materials and solutions recommended by the Regulation and performance of technical standards buildings (NBR 15575: 2013) and thermal performance in buildings (NBR 15220: 2005), both referenced by RTQ-C. For the simulations was used the DesignBuilder software. Simulated models were evaluated according to two criteria: the indoor air temperature and the thermal comfort of users defined by the PMV index. The results were applied to the RTQ-C methodology and demonstrate that the changes in the type of masonry and in the roof of the original model, added to the incorporation of shading elements in the openings, can provide a change in the ENCE final classification, which moves up from a medium ranking (level C) to that of maximum performance (level A), with considerable implications for the internal temperature and the percentage of hours in comfort of users, without the need for use of mechanized and high energy consuming air conditioning systems. These results provide subsidies for the development of more energy efficient public buildings, through the employment of construction systems appropriate to the site and enabling the reduction of costs associated with the maintenance of adequate thermal comfort of its users.Item Análise e aplicação do quadrinho autoral de horror e terror: uma construção de estilo híbrido a partir de influências de desenhos de quadrinhos espanhóis da década de 1970 e narrativa Gekigá(Universidade Federal de Goiás, 2020-12-01) Dutra, Cláudio Batista; Andraus, Gazy; Franco, Edgar Silveira; http://lattes.cnpq.br/8415486629956081; Franco, Edgar Silveira; Oliveira, Ivan Carlo Andrade de; Berardo, Rosa MariaThe current dissertation carries out in discussion authorial comics, in which highlights thematics such as the horror, as well as the narrative originated from the Gekiga style. Concerning the horror, it implements a reflection based on the authors of these genres and explores the influence of Spanish comics illustrators such as Esteban Maroto, José Ortiz, José Gonzalez, Sanjulián, Luís García, and others published in Brazilian magazines, as well as it contextualizes a few contemporaneous Brazilian authors influenced by them such as Mozart Couto, Mano, Rodval Matias, Watson Portela, Carlos Chagas, Ricardo Leite, among others. These last names were relevant on the creating process of national Comic Books on the publishers D-Arte and others. Furthermore, the research accom- plishes the influence throughout the visual narrative aesthetic of Gekiga comics – an au- thorial branch of Manga. These theoretical reflections result on the artistic practice built on the creating of authorial comic books that mixes realistic styles throughout the Spanish aesthetic of horror with the photographic language of the Gekiga narrative, promoting narrative exercises that blend these influences. The result proposed, as itself, consists of an album in horror comic books carrying out three short comics to this research work.Item Análise e desenvolvimento de uma narrativa fílmica a partir do discurso fotográfico: Chris Marker como referencial(Universidade Federal de Goiás, 2012-06-13) Carvalho, Luciana Miranda de; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Guimarães, Leda; Mendonça, Maria Luiza Martins de; Monteiro, Rosana Horio; Gomes, Suely Henrique de AquinoThe main objective of this research is to trace a line of reasoning since the time of the first machines to reproduce the illusion of movement, through the film until the 1960s where did my object of study: the French short film, fiction, La Jetée. From then on it was a brief technical analysis on the a esthetic film that Chris Marker (the author of the film) used in his narrative. Not leaving out a list of photofilmes produced in Brazil for a better contextualization of this type of animation pictures today. Finally, we elaborate on the practice, a movie production, using the same format as that quoted above short film: photographs. This visual narrative, the genre of fiction, has a structure in its cinematic language.Item Análise sistêmica de impactos de anéis viários na mobilidade e na estrutura espacial urbana: um estudo de caso na região metropolitana de Goiânia(Universidade Federal de Goiás, 2022-02-18) Souza, Suelen Cristina dos Santos de; Kneib, Érika Cristine; http://lattes.cnpq.br/2807145158226533; Kneib, Érika Cristine; Kallas, Luana Miranda Esper; Portugal, Licínio da SilvaTo respond a specific need of the transportation system, the ring roads are intended to improve intra-urban traffic, diverting the flow of people and loads. However, like highways, they act in the spatial structuring of territories, providing accessibility, integrating or segregating them. Without multidisciplinary planning, they may provide a temporary improvement in the flow of motorized traffic, but later tend to spatially transform the territory, causing disperse occupation. When this happens, the highway may be absorbed by the local traffic and become an intra-urban flow street, contrary to its implementation objectives. This causes the need to build new concentric outermost ring roads, in a cycle of road multiplication. This practice has its essence in the analytical/specialist approach, which understands planning in a fragmented way when it operates transportation planning separate from territorial planning and implements highways in isolation from other management departments. The research aims, therefore, to identify and analyze in a systemic approach the existing relations between ring roads, mobility and urban spatial structure, creating a methodological procedure for the construction of this subsystem. It is understood that the elements and relations therein reflect its potential impact trends. It is justified by the need for a change in the planning approach, more systemic and articulated among road rings, mobility and urban spatial structure. General Systems Theory is used as a fundamental tool in the methodology approach, that has an exploratory nature and uses systematic and bibliographic review and cartographic analysis. To apply the method, the Metropolitan Region of Goiânia was chosen, in which a section of the proposed ring road was analyzed. As results, a subsystem was identified whose elements and interactions reflect the impacts sought, diagrammed in a network. Although exemplary, the sample identified reveals crucial points of the planning that must receive attention to fulfill the intended purpose, considering the territorial, environmental, political-social and transportation impacts.Item Análise sistêmica do modo ativo: a busca pela priorização da acessibilidade ativa nas centralidades urbanas(Universidade Federal de Goiás, 2022-12-15) Lopes, Flávia Cirqueira Rodrigues; Kneib, Érika Cristine; http://lattes.cnpq.br/2807145158226533; Kneib, Érika Cristine; Ribeiro, Rômulo José da Costa; Almeida, Cristiano FariasThe urbanization process in Brazil focused on individual motorized transport, strengthening the urban sprawl, the dispersed and disconnected spatial structure. This situation disfavors the mode of active displacements, walking and cycling. Recently, the scope of scientific research on sustainable mobility has been strengthened in academia and public policy. That said, this work deals with the new scientific paradigm, based on the General Systems Theory, which makes it possible to analyze mobility as a system, evidencing the integrality of the phenomenon from the interactions between its subsystems and elements of composition. Therefore, the active mode is characterized as a subsystem, with specific elements and interactions, which are related to the whole of urban mobility. From the National Urban Mobility Policy, which establishes the prioritization of the active mode, the construction of this system becomes relevant, since it makes it possible to understand the mutual interactions of the elements and with the external environment, so that public policies are more assertive in the prioritize active accessibility. As a methodology, a bibliographic review, a systematic review were used and, from the systemic analysis, the active mode system was built and its structures identified. As the main result, it was found that the prioritization of active accessibility is conditioned to the integration of the active mode system, that is, the elements of transport, land use and management. Moreover, it turned out that there are structures in the system that can be triggered by public policy stimuli.Item Animação e diversidade: gênero trans e arte Sudaca – aquarelando com pigmentos naturais para além do azul e do rosa(Universidade Federal de Goiás, 2020-03-09) Santana, Janayna Medeiros Pinto; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo , Rosa Maria; Rodrigues, Manoela dos Anjos Afonso; Oliveira, Flávio Gomes deYou, reader or reader, consider this text as an essay in which I bring part of my concerns and experiments from research in art, which has as a differential the focus on making conceptual images that illustrate a script for animation, which were watercolored with natural pigments. The proposal consists of developing, under the theme LGBTQI +, an animation script, until the production of watercolored manual drawings with natural pigments that represent it visually. It is projected through the theoretical-methodological construction of weaving, to take place through such a method in written and audiovisual language, to the elaboration of a final product, being a documentary about the process of creating these images that illustrate my script in a version for a storyboard. The proposal is structured around the protagonism of history by a trans character (woman / girl), in the name of a Sudanese art, which seeks to break with the ideological paradigms of a hegemonic western culture, which presents the differences in stigmatized, violated and silenced. Dialoging with the place, the Cerrado, and the re-existence of this biome in the face of an agricultural culture that devastates it out of ambition, in the name of food and the maintenance of society. I sought to explore its natural diversity in terms of its color palette to be printed in watercolors, where I come to call for a policy of identities and place. In a “tangle” of relevant discussions, the fact of the emergency in dealing with current and controversial issues, such as the re-existence of trans people and the confrontation of violence to the LGBTQI + group, stands out and together problematize the re-existence of the Cerrado biome, highlighting it o in its plurality.Item A antiga linha férrea de Goiânia. De símbolo da modernidade à obsolescência(Universidade Federal de Goiás, 2017-08-23) Brandão, Simone Buiate; Britto, Pedro Dultra; http://lattes.cnpq.br/3392969122990264; Britto, Pedro Dultra; Oliveira, Adriana Mara Vaz de; Chaveiro, Eguimar FelícioThis research is an agony verbalization for what has been left to oblivion in Goiania’s landscape, the ancient railroad of Goiás Railway. It used to be the modernization symbol of Goiás State and of the city construction, it was built in the 1950’s, from the extension of a railroad branch originated in the trunk line Araguari – Anápolis. The railway used to cross the whole state, to the north of the country, with the goal to reach the new capital of sertão, Brazil’s very deep country side, departing from Leopoldo de Bulhões and getting into the city perimeter up to Campinas, the oldest district in Goiânia. However, the golden years of the railway were too short, the late arrival of the trails coincided with the highways’ fast progress in the country, while the railways suffered many reflexes from the lack of investments and serious financial problems, besides the undercarriage’s obsolescence. Thus, a dream coming true became a nightmare, resulting on the partial deactivation process of the rail branch. This had boosted the increase of irregular neighboring areas occupations, the abandonment of spaces and the immediate removal of some trails. However, remains of a railway area were left, such as the stations, few residences and trails which unveil a past. This past is present like a ghost, who still walks by the city almost unseen by great majority of the population. Having this in mind, the aim of this study is to elaborate a story in order to understand and analyze the landscape that has been transformed along the years with the insertion of this modernity instrument in the urban tissue of Goiânia. The methodological procedures were based on bibliographic researches, documents analysis, on printed and electronic material from private and public institutions, on field and mapping services. This work helped us to understand how the railway has interfered in the formation and transformation of the space along the years until today, unveiling four distinct axes: the superposition axe, a path where nowadays one can find the Leste-Oeste Avenue, which has replaced the trails; the destruction axe, which comprises the Trabalhador Square, where one can find the Railway Station that suffers constant reuse try-outs, but nowadays is abandoned; the crossties’ cemetery, a path full of railway remains; and, finally, the resistance axe, the only path where the train still operates. In this way, this study tries to fulfil a gap in Goiás Railway’s history that has not been registered yet. At the same time, it establishes a base for new stories that could deeply explore each axe identified.Item Anuviô(Universidade Federal de Goiás, 2023-07-20) Oliveira, Julliana Rodrigues de; Rodrigues, Manoela dos Anjos Afonso; http://lattes.cnpq.br/7111235725963338; Rodrigues, Manoela dos Anjos Afonso; Nascimento, Ana Reis; Perotto, Lilian UckerThis research is constituted as a walk to desanuviar, a process of unroll ideas, clearing my mind, finding the threads of the skein. It was something I needed to do from the moment I received the news that catalysed this whole process of artistic investigation from its inception: that my maternal grandmother, Dona Leonor, had passed away, in March 2020, the beginning of the COVID-19 pandemic. The main aim of the research is to demonstrate how autobiographical elements, material and immaterial, catalyse artistic poetics and creation processes at the confluence of art and visual culture in a critical and political way. Therefore, this is an autobiographical research in art,seeks to investigate an artistic practice that culminates from the interweaving of artistic research with life stories from the experience with mourning. I autobiograph in life and performance and generate images and visualities to fight against the colonization of my memories, through an autobiographical making that is a political exercise of voice reclamation in an era of deletions. I must emphasise that this writing is not an autobiography in the strict sense, that is, an autobiography as a literary genre. This writing gives body and form to a master's dissertation that deals with reflexivity in order to identify the autobiographical elements that are being incorporated into an artistic production that points to strategies that were already being built together with Coletivo Bunker, a performance collective in which I have participated for years. Aspects such as the relationship with the body and the investigation of affections are being articulated through an art and life production that is expressed through walking and threads.Item Ao sabor das narrativas: sujeitos, cotidiano e práticas de cozinha(Universidade Federal de Goiás, 2015-02-26) Silveira, Juzelia de Moraes; Guimaraes, Leda Maria de Barros; http://lattes.cnpq.br/1491866271915819; Guimaraes, Leda Maria de Barros; http://lattes.cnpq.br/1491866271915819; Frange, Lucimar Bello Pereira; http://lattes.cnpq.br/6973661142807712; Brandao, Ludmila de Lima; http://lattes.cnpq.br/3912278759228410; Martins, Alice Fatima; http://lattes.cnpq.br/2768377569632609; Silva, Thiago Fernando Sant'Anna e; http://lattes.cnpq.br/9735682996647548The present thesis consists in reports of four participants as well as my own personal reports in order to think how these subjects produce themselves and are produced through their cooking practices. This way, it departs from the perspective of narrative inquiry as methodological approach. As main authors to subsidize the methodological web, I highlight Brockemeier and Harré (2003), Bruner (1990; 1995), Connelly and Clandinin (1990; 1995) and Ellingson and Ellis (2008). I adopt the purposes of Quotidian and Visual Culture Studies to think how the participants’ narratives bring argumentations and notes about how their quotidian is marked by micro-resistances that individuals developed by means of their ways of doing. Thus, I understand that subjects are constituted by references and discourses, which structure their sociocultural contexts, creating with their distinct ways of relating to a practice ways of playing with normative and homogenizing principles. I consider micro-resistances above all through considerations of Michel de Certeau and Luce Giard (2000; 2003) drawn from “A invenção do Cotidiano”, which comprehend the plurality of ways of doing as potencies for subverting the sociocultural impositions. As research references on Everyday life Studies I dialogue mainly with Alves (1998; 2001; 2009; 2012), Victorio Filho (2005; 2007; 2013) and Pais (2003; 2007). Through the reports produced by participants and myself the “visual events” (ILLERIS; ARVEDSEN, 2011) that constituted the experiences that derived from the cooking practices are recovered and observed, thinking how the relation between seeing and being seen is mediated by the whole visual system that composes each lived context. Before this conception, I find the theoretical framework in the writings of Mitchell (2002; 2005), Mirzoeff (2003) and Hernández (2007; 2013). In the chapters developed along this dissertation, I approach issues which, due to being more recurrent in the notes taken by the participants, figure as theme of analysis. These are: “Swiss Lemonade or Micro-resistances through micro-existences”, in which I discuss how small narratives that inhabit the quotidian are constituted as modes of resistance through the way the subjects construct themselves in dialogue with the environment; “Baião de dois – or Kitchen and gender production”, in which I argue on how discursive constructions on gender surround and reinforce the norms that base as well as question them; “Filhoses – or Kitchens as space of affection and socialization”, which traces a reflection on the constant relation between the referred practice and the interaction processes between family and friends through cooking and feeding along with other subjects.Item Apartamento como objeto de consumo: representações materiais e simbólicas(Universidade Federal de Goiás, 2022-08-31) Santos, Juliana Durando; Lima, Fábio Ferreira de; http://lattes.cnpq.br/9209362463242475; Lima, Fábio Ferreira de; Ferreira, Bráulio Vinicius; Oliveira, Adriana Mara Vaz deTo what extent are communication strategies used for sales of real estate products, in the city of Goiânia, able to impact and influence buyers' consumption modes? Seeking the answer to this questioning, the work is found for some discoveries by the materiality of the original product. By analyzing the advertising material and the production of the apartment presented, it can be used in the sales strategy, if you find points that confirm the duality: it is a danger that brings cultural characteristics, at the same time that it is a consumer product capable of moving the real estate and interior architecture market. Since, therefore, the product aims at this dual – and objective – characteristic, it becomes important to seek back the course in which the greatest effort is in the sense of adapting the production of the product to the demands of users and the city.