Poesia, subjetividade lírica, monodia e mímesis
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Data
2019-02-27
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Universidade Federal de Goiás
Resumo
This thesis, starting from the conception that lyric is mimetic due to monody, analyses and
describes the modern and contemporary brazilian poetry, taking by corpus a variety os poems and
poets from 20th and 21th centuries. Monody is a term, used by us, that refers of the Bakhtinian
concept about monology and implies the notion of lyrical subjectivity. Thus, we admit, in the
manner of Bakhtin, lyric is monological and we chose using monody, comparing to others literary
genres of Modernity, because lyrical monologism is specific, peculiar. In a relation between lyric,
monody and mimesis, mediated by Bakhtin’s thoughts, we used key-words as axiological
positioning and authorship. Furthermore, considering fundamental to lyric’s studies to understand
the relations (of proximity or difference/indifference) among empirical subject and lyrical subject,
we used the Margarete Susman, Lukács, Adorno, Combe, Collot and others’ ideas. Concerning
lyric as a mimetic genre, Merquior, Achcar e Costa Lima are the names that we used, agreeing or
disagreeing with them.
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CALAÇA, Camila. Poesia, subjetividade lírica, monodia e mímesis. 2019. 95 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019.