A cinefilia no cinema de Quentin Tarantino
Carregando...
Data
2013-08-28
Autores
Título da Revista
ISSN da Revista
Título de Volume
Editor
Universidade Federal de Goiás
Resumo
Cinephilia founds its place during the 1950s from the Heirs of Bazinian critical approach. The
interest of young cinephiles as François Truffaut and Jean-Luc Godard in living a life around
movies ended up in the creation of a new culture, which led to a special study of cinema, a
policy of legitimizing movies and auteurs and a closer look at the mise en scène. Moreover,
the importance of collective view and sociability to the flourishing cinephile, just like the
presence of a certain fetish and practices and habits around the theater. Based on the concepts
of cinephilia and its historical overview presented by the critic and researcher Antoine de
Baecque, this work has as one of its objectives to look for distinctions between what is meant
by cinephile for over fifty years and what is meant by cinephile today. Nowadays, media and
communication amplify and make even more complex the relationship of the viewer with
images, now subjected to a whole range of devices which are perfect for the mastery of the
spectacle. Now films have to compete with the “all-image”, a term used by the media in the
1970s. Secondly, this work observes, through filmic analysis, manifestations of cinephilia in
Quentin Tarantino’s last films, as well as its relationship with the “all-image”.
Descrição
Palavras-chave
Citação
Santos, Fabrício Cordeiro dos. A cinefilia no cinema de Quentin Tarantino. 2013. 125 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia