Um estudo sobre opções interpretativas para elementos folclóricos na performance pianística atual
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Data
2011-03-28
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Universidade Federal de Goiás
Resumo
The current work addresses the pianistic adaptations of the folkloric elements used in
“Brasiliana nº3” for the piano by composer Osvaldo Lacerda. Through the theoretical
reference used, firstly approaching the pianistic technique by the prism of authors Keith
Swanvick, Claudio Richerme and Jose Alberto Kaplan, and secondly the study on “musical
gestures” by Robert. S. Hatten and Bernadete Zagonel, we propose sonorously adequacy
suitable for the piano, of the folkloric elements contained in the respective primary
instrumentations of the dances Cururú and Quadrilha. The discussion about performance
possibilities presented in this study aims to contribute with a new approach and analytical
perspective of the nacionalistic works for piano. In addition, it offers contributions for the
universe of piano’s students and interpreters as well. Among the conclusions after the
comparative analysis of the works, both in an “authentic” folkloric version and on the written
author’s version, there is the relevance of the understanding of the technical aspects allied to
the human physiology, and the importance of musical gestures in the moment of the
performance as well.
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RIBEIRO, R. T. Um estudo sobre opções interpretativas para elementos folclóricos na performance pianística atual. 2011. 46 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2011.