A confissão como estratégia de restrição na poética de Carlos Drummond de Andrade
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2015-02-25
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Universidade Federal de Goiás
Resumo
Throughout this work, we aim to highlight the importance of contingency process for the
poetic production of Carlos Drummond de Andrade. We intend to investigate, through part of
his work, that the restrictions imposed by him during the making poetry, are crucial to the
result of his artistic creation. Moreover, they collaborate, directly, to the affirmation of its
claim to tell the living from his poetry. As a methodological procedure, we start from three of
his most famous poems, Confidentiality of Itabirano, Childhood and world feeling, as well as
some statements of the poet himself, related to your making poetic, in order to highlight the
lines introduced in drummondiana writing. This finds the impossibilities a privileged position
because they are exactly the self restrictions imposed by the poet, giving it a huge range of
possibilities to be said, to invent and, especially, to confess through his verses. The
restrictions to which the poet undergoes over its creation process, are put in scene from some
elements, such as: facts, situations, places and people. By recognizing life as a matter of
poetry, according to the vision of Bakhtin (2010), the poet puts us, as readers, before a spirit
work of concern and social values, as the poet as someone coated concern not only aesthetic,
but also social and political. Thus, we observe that the perception of Drummond is sharpened
by the prospect of looking he throws both inward and to the resulting capture outdoor scenes,
since it catches the elements mentioned above, referring us to a work whose creating wire
human life, with its virtues and evils. We base our work on Arrigucci (2002), Bakhtin (2010),
Elster (2009), Longino (1996) and Moraes Neto (2010).
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BELTRAO, L. C. A confissão como estratégia de restrição na poética de Carlos Drummond de Andrade. 2015. 109 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2015.