Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos
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Data
2009-05-25
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Universidade Federal de Goiás
Resumo
Is surprising the challenge of the to question and to have the possibility to answer
with music. Of the music to question and other sensibility to answer her. The sound doesn't
just belong to the music, the music is not only composed of sounds. The life that sounds
receives the care historical of the emotional existence, and this experience receives the
musical components as indicators of the intertextual reading. The African diáspora offers
the rhythm of the pop music that, for your time, she takes charge of being the habitat of the
AfroAmerican
memory. The sound memory of the diáspora is interpreted by the rhythmic
beat of the pop music, an ethnic beat that is causing black reinventions in the musical
performances in global contexts.
To approach the pop musical expression as phenomenon of reinvention of the
black identity, the memory African cultural scored the black identification in the AfroAmerican
musical head offices traveled by the rhythmic transformations of the gospel,
blues, jazz, swing, rhythm and blues, soul, freejazz,
rock, funk, pop and rap. The social
rhythm that accompany those gender it is centralized in the freejazz
for the development
of the research, from where they follow analyses and comments on the process of
construction of the pop beat addressed in a social slope of racial protest and in the musical
agency of black domain.
The ethnic revival of the decade of 1960 is the scenario for the presented
musiciansocial
dialogues in way to map responsible relationships for the rhythmic
development that consolidated the beat of the pop music as an ethnic beat. The reflection
around the pop gender renounces academic precepts and formalist of the European musical
tradition to present a possibility of musical analysis where the procedure is given by the
content to be received from the object. This way the pop music can be questioned before
the suffered social context by the agents of your creation. The followed road is updated by
those musical agents, that give us elucidation answers if we look for the music as a
resulting art of human negotiations.
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SILVA, M. R. Ethnical beat: o ritmo negro da música pop internacional-globalizada. Um estudo de cartografias sonoro-musicais híbridas como memória, agenciamento e performance das identificações afro americanas em contextos diaspóricos. 2008. 119 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2009.