O tempo performático de samuel beckett: o teatro da condição humana no processo de montagem de esperando godot do máskara (2005)
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Data
2015-08-20
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Universidade Federal de Goiás
Resumo
The purpose of this communication is to present and analyze the representation of theatrical
performance Waiting for Godot by Samuel Beckett, promoted by Máskara – Núcleo
Transdisciplinar de Pesquisa em Teatro, Dança e Performance, from Escola de Música e Artes
Cênicas (EMAC), Universidade Federal de Goiás (UFG) in 2005. This examination is based
on the concept of performative time drawn from the analysis of prospects that blend the study
of performances of Richard Schechner and Victor Turner, with time trials established in
studies and reflections of Henri Bergson, Marcel Proust, Reinhart Kosellec and Paul Ricoeur,
in conjunction with the practical discussions emerged in the production of Beckett
presentation, as well as the dialectic of the human condition and time established by Beckett
in that piece. Performers, time and human nature dialogues, construction, perception and
representation of theatrical production are made. All these actions will be closely articulated
in the development of this research in order to understand and explain this process, and as
such proposals reflections approximate the studies inherent Cultural Performances, the work
of the Máskara and reflections and concepts proposed by playwright in the theatrical text
Waiting for Godot.
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Samuel Beckett , Esperando Godot , Teatro. , Tempo , Performance , Waiting for Godot , Theater , Time , Performance
Citação
REIS, A. D. O tempo performático de samuel beckett: o teatro da condição humana no processo de montagem de esperando godot do máskara (2005). 2015. 175 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás,Goiânia, 2015.