Prática sexual e humor nas construções identitárias da nobreza portuguesa na corte dionisina (1279-1325)
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2014-11-06
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Universidade Federal de Goiás
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Cette étude a defendu la thèse où l’idée de noblesse s’est ausi forgé, dans lequel moment de l’histoire portugaise, a partir de modèles de comportement sexuel envisagé dans les chansons satiriques. Les subjects choisi ont rapporté le quotidien de la cour, à partir de traces recueilli aux satires, avec la législation produit par Dom Dinis et quelques constants aperçu au discurs des Chroniques. Penser l’humeur dans ce contexte signifique chercher des practiques et comportement accept ou rejeté par celle societé, spécialement dans l’ambience coutoi. Rois, fonctionnaires et d’autres ricos-homens que se sont aventuré à composer des satires constituaient, pour l’insulte, de la blague et de la rire, modèles d’action et de contention sexuelle qui passeraient, avec quelques differences, à constituer des examples d’attitude pour les autres groupes sociales. Ces constructions identitaires ont supposé de différencier les nobles à partir de la négation des actions considerée dégoûtantes. De toute façon, on a discuté ce qui s’est appelé statut de l’humeur et culture de l’insulte, en rélation aux grupes constitutifes de la societé médiévale portugaise dans lequel période, en tenant pour paramètre comparatif les practique de la sexualité. Des questions autour du caractère éminemment oral des productions sont allés évoquer pour comprendre des malentendus qui ont emmené à multiples interpretations. Leurs liaisons avec la législation procédant de l’ambiant urbain qui parfois les productions ont possédé, ainsi que des thèmes évoquées, ont été évalué, pour l’approche des thèmes juridiques présentes au Livro das Leis e Posturas.
The study sought to defend the thesis that the idea of nobility also forged, at the time of Portuguese history, from models on expected sexual behavior in satirical songs. The listed topics related to everyday court from evidences collected in skits with the legislation produced by Dom Dinis and perceived by some constants chronistical speech. Think the humor in this context means seeking practices and behaviors or not supported by that society, especially in courtly environment. Kings, officials and other ricos homens who ventured to compose these satires, constructed through the discourse of mockery and laughter, models of behavior and sexual. Dike that would, with some fluctuations, constitute examples of attitudes toward other social groups. These identity constructions assumed distinguish nobles from the denial of actions considered degrading. Thus, attempts to discuss what he called status mood and culture of insult, compared to constituent groups of Portuguese medieval society of that period, taking as a comparative parameter practices related to sexuality. Issues surrounding the eminently oral character of those productions were evoked in order to understand the mistakes that led to interpretations multiples. His connection with the law stemmed from the urban ambiance that many of these productions contain and evoked themes, approaching the legal issues in the Livro das Leis e Posturas.
The study sought to defend the thesis that the idea of nobility also forged, at the time of Portuguese history, from models on expected sexual behavior in satirical songs. The listed topics related to everyday court from evidences collected in skits with the legislation produced by Dom Dinis and perceived by some constants chronistical speech. Think the humor in this context means seeking practices and behaviors or not supported by that society, especially in courtly environment. Kings, officials and other ricos homens who ventured to compose these satires, constructed through the discourse of mockery and laughter, models of behavior and sexual. Dike that would, with some fluctuations, constitute examples of attitudes toward other social groups. These identity constructions assumed distinguish nobles from the denial of actions considered degrading. Thus, attempts to discuss what he called status mood and culture of insult, compared to constituent groups of Portuguese medieval society of that period, taking as a comparative parameter practices related to sexuality. Issues surrounding the eminently oral character of those productions were evoked in order to understand the mistakes that led to interpretations multiples. His connection with the law stemmed from the urban ambiance that many of these productions contain and evoked themes, approaching the legal issues in the Livro das Leis e Posturas.
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GONÇALVES, H. D. Prática sexual e humor nas construções identitárias da nobreza portuguesa na corte dionisina (1279-1325). 2014. 184 f. Dissertação (Mestrado em Historia) - Universidade Federal de Goiás, Goiânia, 2014.