O sujeito lírico na poética de Arnaldo Antunes: traços da modernidade, presença da tradição e influência de novas mídias
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2016-08-30
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Universidade Federal de Goiás
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This study discusses the poetic work of Arnaldo Antunes, establishing relationship between the
author, the literary Modernity, tradition and new production and reproduction’s technologies of
work. The category of the lyrical subject had been chosen as conductor of the work. The first
chapter it’s basing what had been understood by modernity and analyzed three trends of that time
in the poetic work of Arnaldo Antunes: the lyrical subject’s multiplicity; the dissolution of the
"I"; and the theoretical discourse and literary critic in speech that it says in the poem. Also, it
reflects about the relationship between inspiration and poetic production, as well as analyze the
trend of building a "beside himself" in contemporary times. In the second chapter, it’s found the
presence of tradition working as influence in the construction of the lyrical subject in the poetic
work of Antunes. It’s been performed a trajectory that shows the diversity of influences, as well
as its importance in the poetry of the author: mass culture brands, the ancient East, of Dante
Alighieri, romanticism, Manuel Bandeira, João Cabral de Melo Neto, and finally, of concretism
poetry, it’s analyzed in the chapter. In the third chapter, had been underlined the relationship
between the poem-object, the production and reproduction’s means of art and poetic artist studied
here. Moreover, it's emphasize critical readings of Arnaldo Antunes's poems focused on the
relationship between technology and lyrical subject.Moreover, it’s emphasize critical readings of
poems by Arnaldo Antunes focused on the relationship between technology and lyrical subject. It
refers, mostly, to theorists like G. W. F. Hegel (2010), Michel Collot (2013), Michael
Hamburguer (2007), Irlemar Chiampi (1991), João Alexandre Barbosa (1974), Octavio Paz
(2012) (2013), T. S. Eliot (1989), Paul Valéry (1999), Dominique Combe (2010), Friedrich
Nietzsche (1992), Walter Benjamin (1994), Wladimir Krisinski (2007), Patrícia Martins (2010) e
Débora Silva (2011) to support this thesis.
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FERREIRA, F. M. O sujeito lírico na poética de Arnaldo Antunes: traços da modernidade, presença da tradição e influência de novas mídias. 2016. 99 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2016.