A fragilidade da beleza: um estudo sobre subjetividade na composição lírica

Abstract

In this thesis, we intend to discuss subjectivity in the formation of modern lyric, in view of its development along with German Romanticism and Idealism from the 18th century. In this sense, we start from the hypothesis that the subjectivity was fruit of the spirit of the time stuck to the development of the arts that walked faster and faster towards the formatting of the subject as mediating center and configurator of the world and of the arts. The notion of a reflective self that had arisen in political, social, and philosophical events made subjectivity appear as the essence of modernity. However, in the field of lyricism, it has slipped in the problem of the method of theories of knowledge, linked to the foundational idealism of the leap into the thinking interiority of a new ontology of the arts, to its own conception that we will call fragile beauty, The lyric was born without a lyre, within the limits of a self that experiences the present preterite of the world when it undoes its own self in unity in the materiality of the word. From this we have structured this thesis in the idealism of Fichte and Schelling, in the reflexive romanticism of Novalis and in the dialectic of Hegel like resolution of the previous idealists. The latter being the object of contestation in the position of lyrical subjectivity. Guided by the analysis of such theorists, we set out to examine the work of Dora Ferreira da Silva (1918 - 2006), demonstrating how a new subjectivity, in no way indebted to the idealists, was formed in the pages of the poet herself, her poetics being entangled by Thought, sensitivity and truth. Thus, we selected works and poems in which the question of subjectivity became visible so that we could associate subjectivity, lyrical, truth, reflection and existentiality as forms and performances of new subjectivities.